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Post by aspieandy on Feb 19, 2024 15:27:19 GMT
Decided to take a second look at this now it's at peak original production. This WE transfer ends in 4 weeks.
The Delfont Mac site wanted £20 for the Gods, reasonable availability at all price points with no booking fee. Rude to say no, imo.
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Post by chicagocomedian on Feb 19, 2024 22:22:24 GMT
How bad are the partial view seats with the safety rail in the way?
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Post by mattnyc on Feb 19, 2024 22:59:03 GMT
How bad are the partial view seats with the safety rail in the way? I sat there a few years ago and it wasn’t the worst I’d ever been in. More annoying when action was downstage but wasn’t angry about it for the price (at least for the seat I was in).
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Post by aspieandy on Feb 19, 2024 23:30:21 GMT
How bad are the partial view seats with the safety rail in the way?
Pick a seat, check the view here:
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Post by chicagocomedian on Feb 20, 2024 0:28:52 GMT
Do they do day of rush or am I better off just getting a cheaper ticket?
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Post by couldileaveyou on Feb 20, 2024 11:09:43 GMT
Do they do day of rush or am I better off just getting a cheaper ticket? Yeah they have a rust although it sells fairly quickly.
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Post by moelhywel on Feb 26, 2024 14:38:13 GMT
I have just posted a ticket for sale for the evening performance on Wednesday.
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Post by aspieandy on Feb 29, 2024 22:36:31 GMT
Having first seen this in early May, I went back for another look as it finishes - in 3-weeks or so - the West End run. It is the personification of that genre many feared was mislaid; the National Theatre doing National Theatre things. Everything rattles along; high standards abound. Now at peak, humour lines are triggered to perfection, smaller arcs resolving within larger resolving arcs - like nested mechanical watch wheels, the reveals staggered beautifully and everyone bang on cue to the fraction. Polished af. Also, memory is strange but I thought much was teased out better - has the irrepressible Gatiss been nibbling ..
National Portrait Gallery beforehand. Civilised way to spend a damp afternoon in town. Almost full house, plenty standing at the end, many a little watery. If I spend a better £20 this year I'll be pleased.
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Post by yorkshirecioffi on Mar 2, 2024 12:32:33 GMT
Found it one of the most satisfying plays I've seen in a while. Great writing, direction and two fantastic performances in Gatiss and Flynn. Properly squirming in my seat at some of the accurate rehearsal room tensions created, and tearing up at the genuine emotional challenges of 'putting on a play' and navigating a career in theatre. Loved it, and have been recommending the forthcoming screening to friends.
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Post by ladidah on Mar 7, 2024 10:13:10 GMT
Just got a rush ticket to see this, not my usual thing but it's got such good reviews and looks interesting.
Is it best to go in blind, or research the story/plot?
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Post by sph on Mar 7, 2024 11:52:26 GMT
Just got a rush ticket to see this, not my usual thing but it's got such good reviews and looks interesting. Is it best to go in blind, or research the story/plot? I don't think you'll need to do much research beforehand really. It's all quite easy to follow. If you know who John Gielgud, Richard Burton and Elizabeth Taylor are, you'll be fine.
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Post by ladidah on Mar 7, 2024 11:53:51 GMT
Thank you!
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Post by Steve on Mar 7, 2024 12:08:42 GMT
Just got a rush ticket to see this, not my usual thing but it's got such good reviews and looks interesting. Is it best to go in blind, or research the story/plot? I don't think you'll need to do much research beforehand really. It's all quite easy to follow. If you know who John Gielgud, Richard Burton and Elizabeth Taylor are, you'll be fine. Agreed. Bear in mind this is based on massive amounts of research of real life events, so just expect real flesh and blood people interacting, and you'll be fine.
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Post by yorkshirecioffi on Mar 7, 2024 12:28:46 GMT
I guess a basic understanding of the story of Hamlet is useful - as the play dives into rehearsing and discussing it and the characters involved.
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Post by ladidah on Mar 8, 2024 9:13:14 GMT
Wow, what an incredible play. Completely absorbing.
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Post by ladidah on Mar 14, 2024 8:16:49 GMT
I really hope Mark Gatiss gets the Olivier
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Post by ceebee on Mar 14, 2024 9:13:35 GMT
Wow, what an incredible play. Completely absorbing. Yeah, it's a cracker isn't it? Like you, I was absorbed in this from beginning to end. I loved it!
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Post by ladidah on Mar 14, 2024 9:33:16 GMT
It was amazing to sit in an audience where everyone was completely enthralled. At the interval there was such a buzz.
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Post by caa on Mar 15, 2024 23:00:24 GMT
Any idea if this is going to Broadway?
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Post by aspieandy on Mar 16, 2024 2:27:51 GMT
No announcement of which I am aware.
You can image it was always the trajectory hoped for but, taking rehearsals into account, they've been at it for pretty well 12-months now.
Gatiss, for example, has done all he can for the awards season, and may be itching to get on with fresh projects. Or not.
It is a cash cow. Has to cross over with or without all the originals, imo.
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Post by adamkinsey on Mar 16, 2024 17:58:07 GMT
Finally seen this today. Fabulous. I fear Andrew Scott will get the Olivier but, having seen both, I think Gatiss ought to.
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Post by nash16 on Mar 16, 2024 19:08:11 GMT
Any idea if this is going to Broadway? If would have to wait until next Winter/Spring now as they'll only go over with it to get Tony Awards, and that'll be the window they'll need to get noms/win.
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Post by solotheatregoer on Mar 16, 2024 22:06:28 GMT
Finally seen this today. Fabulous. I fear Andrew Scott will get the Olivier but, having seen both, I think Gatiss ought to. Agree with this. Both gave great performances but out of the two, my vote is for Gatiss. Having said that, I would say Johnny Flynn trumps them both. Still annoyed he didn't get a nom.
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Post by BurlyBeaR on Mar 18, 2024 16:09:23 GMT
This is showing over multiple days at the cinema. It’s usually one day or maybe two for theatre screenings. They must be expecting a lot of interest.
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Post by Being Alive on Mar 18, 2024 17:14:27 GMT
We were allowed to programme it any day from 21st March, within I think a 4 week window so I think it's less about expecting demand and more venues were given a bit freer reign on this one.
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Post by Being Alive on Mar 19, 2024 22:40:52 GMT
Great to see this again this evening having seen it at the NT - it's even better at the Noel Coward.
Sublime performances from Gatiss and Flynn (Flynn not being Olivier nominated is just insanity), but I don't see Gatiss winning his category - don't get me wrong I love him in this show, but against Andrew Scott and James Norton I just don't find it quite in the same league (those two are ahead of the other three nominees for me).
Great to see an absolutely packed house, full of famous faces (always the way in the final week of a run with famous folk in it!) - 5 star at the NT, an even stronger 5 stars now.
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Post by pinkrosecy on Mar 22, 2024 15:00:37 GMT
Saw this at the cinema last night. Great performances all round, but Gatiss was fabulous; at times I forgot it wasn't actually Gielgud. Deserving of the Olivier nomination.
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Post by sweets7 on Mar 24, 2024 0:27:06 GMT
Saw it today. Can’t say I enjoyed it that much. Set design was simply gorgeous and the relationship between Taylor and Burton well done but I struggled to understand Flynn at times (an actor I’ve enjoyed in many things). Gatiss was great. An emotional performance. And E Taylor was played with shrewd intelligence. Burton as a drunk and sex obsessed. And actually quite nasty. How true this all is who knows. I was quite preoccupied by the discomfort of my seat at times. Never a good sign.
I found the end quotes moving about Hamlet being the the most preformed play with over 200000 actors playing the part. I mean personally I could recite it. Seen it far too many times, did it at school. I was reciting the famous to be or not with Flynn. I can’t really see it’s attraction to actors either. But again I’m hugely over exposed to it.
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