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Post by 49thand8th on Apr 28, 2020 5:55:52 GMT
I like to stand outside my house and then run inside just before hitting "play," as if my train had been stalled.
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Post by clair on Apr 28, 2020 5:58:21 GMT
My tv is is 12 years old, basic and functional - no internet etc on it, the screen is smaller than the pc monitor and it is watched so little that if it could speak it would say it's a radio as I only usually use it for radio 2! I'm very low tech - no smartphone, laptop, ipad, just me a nokia 3310 and a 10 year old computer that is starting to ask for a retirement package. Normally not a problem as I spend a lot of time either at the theatre, out with friends or working overtime to pay for everything, home time is spent reading, writing letters to friends and a quick email/Fb check on the computer. Right now, I miss theatre, I miss my friends and I still have no desire to watch a screen - will just keep on reading, staying in touch with friends and hoping the light at the end of the tunnel will show itself soon
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Post by Deleted on Apr 28, 2020 6:27:49 GMT
Shut the curtains, turn off the lights and imagine you are surrounded by theatre board members who will give you the hard stare if you so much as twitch during the performance. If not for the current distancing measures we could actually do that. I suppose we could set up a group meeting and occasionally cough or stage-whisper spoilers about upcoming scenes but it wouldn't be the same.
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Post by BurlyBeaR on Apr 28, 2020 6:31:23 GMT
My smart tv has been revolutionary in how I watch and what I watch. I think I watch more on YouTube than ‘real’ tv these days. I follow various vloggers, mainly travel who are still releasing content because they all seem to run with a significant backlog. The quality of content is incredible. And the other week I used the internet browser app on the tv for the first time to access the Wind In The Willows recording which looked stunning on a large screen in high definition. There’s no way I’d enjoy any of the broadcasts on a phone or iPad.
Smart TVs are not that expensive nowadays so for anyone who does like the idea and is saving loads of £ on going out, now may be the time?
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Post by Cleo on Apr 28, 2020 7:34:56 GMT
I have a tv from 1990s with just essential channels. I will only replace when I have too. So I watch films, iplayer and theatre recordings on my iPad. I can even sit outside and enjoy the “ open air” theatre experience.
Having watched NT Live Twelfth Night over 2 nights, I like having the flexibility of watching to suit my mood, and can be completely immersed in a production to the extent I almost forget I’m not actually sitting in the audience. I am grateful for the glut of on line theatre available. I live alone so can indulge. Strangely I have found reading books difficult having been an avid reader until life changed so on line theatre has really filled a gap. I also enjoy listening to BBC radio drama.
However, the feeling of anticipation of taking your seat in an auditorium and the moment the first line is spoken cannot be replicated so it will be even sweeter when theatres re-open, in whatever way they can.
Can I thank Theatreboard admin for bringing the theatre community together, and keeping us hopeful that theatre will resume.
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2,761 posts
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Post by n1david on Apr 28, 2020 11:42:51 GMT
This is the most detailed analysis of theatre post-lockdown that I've read, with the thoughts of various professionals: www.telegraph.co.uk/theatre/what-to-see/not-911-blitz-far-trickier-lockdown-means-britains-theatres/Cameron Mackintosh thinks social distancing in the auditorium and on-stage won't work, says he can keep ticking over until September and then needs to shut down: keeping his theatres but closing all productions. Rufus Norris is contemplating how the Olivier works with 250 people in the audience Daniel Evans hopes South Pacific can go ahead, and is considering temperature tests and some form of outdoor theatre Nica Burns is looking for a "third way" between closure and full reopening. ALW is looking at all sorts of options including self-cleaning door handles and "how we can clean the air". There's obviously a lot of concern about what happens next, and it's clear that nothing much is happening any time soon, but Cameron Mackintosh does end on an optimistic note: “Theatre is part of our nation, part of our way of life. It will come back.”
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Post by Someone in a tree on Apr 28, 2020 11:55:02 GMT
Thanks for that it's really interesting.
The Olivier is one of my least favourite auditoruims due to its barn like qualities. 250 will make it seem even more like a barn
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Post by distantcousin on Apr 28, 2020 12:40:29 GMT
My smart tv has been revolutionary in how I watch and what I watch. I think I watch more on YouTube than ‘real’ tv these days. I follow various vloggers, mainly travel who are still releasing content because they all seem to run with a significant backlog. The quality of content is incredible. And the other week I used the internet browser app on the tv for the first time to access the Wind In The Willows recording which looked stunning on a large screen in high definition. There’s no way I’d enjoy any of the broadcasts on a phone or iPad. Smart TVs are not that expensive nowadays so for anyone who does like the idea and is saving loads of £ on going out, now may be the time? There are some schools of thought which say it's better to buy an Amazon Fire Stick or Chromecast with a standard TV.
My smart TV became more of less obselete after 4 years because it could no longer support the latest updates of most of the TV channels. Case in point, so I had to get a Fire Stick in the end.
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Post by SuperTrooper on Apr 28, 2020 13:01:10 GMT
This is the most detailed analysis of theatre post-lockdown that I've read, with the thoughts of various professionals: www.telegraph.co.uk/theatre/what-to-see/not-911-blitz-far-trickier-lockdown-means-britains-theatres/Cameron Mackintosh thinks social distancing in the auditorium and on-stage won't work, says he can keep ticking over until September and then needs to shut down: keeping his theatres but closing all productions. Rufus Norris is contemplating how the Olivier works with 250 people in the audience Daniel Evans hopes South Pacific can go ahead, and is considering temperature tests and some form of outdoor theatre Nica Burns is looking for a "third way" between closure and full reopening. ALW is looking at all sorts of options including self-cleaning door handles and "how we can clean the air". There's obviously a lot of concern about what happens next, and it's clear that nothing much is happening any time soon, but Cameron Mackintosh does end on an optimistic note: “Theatre is part of our nation, part of our way of life. It will come back.” Is there a way of sharing the whole article without me having to sign my life away!
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Post by Dawnstar on Apr 28, 2020 13:03:58 GMT
Daniel Evans hopes South Pacific can go ahead, and is considering temperature tests and some form of outdoor theatre If South Pacific goes ahead then I wonder what they'll do for those of us with tickets who cannot get there? We live near Cambridge. No way can we get public transport all the way down to Chichester this summer, irrespective of whatever social distancing measures they put in place at the actual theatre.
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Post by n1david on Apr 28, 2020 13:11:01 GMT
This is the most detailed analysis of theatre post-lockdown that I've read, with the thoughts of various professionals: www.telegraph.co.uk/theatre/what-to-see/not-911-blitz-far-trickier-lockdown-means-britains-theatres/Cameron Mackintosh thinks social distancing in the auditorium and on-stage won't work, says he can keep ticking over until September and then needs to shut down: keeping his theatres but closing all productions. Rufus Norris is contemplating how the Olivier works with 250 people in the audience Daniel Evans hopes South Pacific can go ahead, and is considering temperature tests and some form of outdoor theatre Nica Burns is looking for a "third way" between closure and full reopening. ALW is looking at all sorts of options including self-cleaning door handles and "how we can clean the air". There's obviously a lot of concern about what happens next, and it's clear that nothing much is happening any time soon, but Cameron Mackintosh does end on an optimistic note: “Theatre is part of our nation, part of our way of life. It will come back.” Is there a way of sharing the whole article without me having to sign my life away! You can get free access to a number of articles by registering for free, but I'm sure the mods here would be unhappy if we contravened the Telegraph's copyright...
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Post by lynette on Apr 28, 2020 13:16:24 GMT
You can prob get the article online as it is in the actual paper not on their online platform, if you see what I mean.
The article did make me start thinking when it asked what would I want to make me go back to the theatre.So I was thinking-
So remove all the doors. Use curtains as they do anyway. So you remove one touchy feeling risk. Cover the stair hand rails with paper and change it for each performance and other such covering devices. Toilets: do what the Old Vic did, put them outside with attendants and plenty of HOT water and soap. Close the bar, either sell packaged drinks outside or have staff wearing clean white gloves ( psychological thing) hand round free water and juice in the intervals. I bet you’d get sponsors of drinks to do this. Even hot drinks could be provided with some caution. Better regulate the air con and heating, investigate the systems that don’t circulate the air but filter it. Extend the cloakrooms so people can leave their stuff more easily and with no cost. Might have to move out some seating in the old WE places to accommodate this but would be worth it. Start earlier, say 7pm so people can come straight from work and don't have to hang about. Cafes will adjust. Lower the prices, yes, counter intuitive but make it a cheap option for a date. And put on only the very best, maybe reduce the clutter of big sets if too expensive but you know the mantra - if it is good, they will come. So some loss of income to start with but much goodwill and theatre to build on.
Obviously back stage facilities should be refurbed for the actors and creatives so they are comfortable. Spend money guys!
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Post by 49thand8th on Apr 28, 2020 14:14:34 GMT
My smart tv has been revolutionary in how I watch and what I watch. I think I watch more on YouTube than ‘real’ tv these days. I follow various vloggers, mainly travel who are still releasing content because they all seem to run with a significant backlog. The quality of content is incredible. And the other week I used the internet browser app on the tv for the first time to access the Wind In The Willows recording which looked stunning on a large screen in high definition. There’s no way I’d enjoy any of the broadcasts on a phone or iPad. Smart TVs are not that expensive nowadays so for anyone who does like the idea and is saving loads of £ on going out, now may be the time? There are two TVs in my house and neither of them are smart. They're both flatscreen but pretty old. One (the larger, newer one) has a Roku and one I use only for my Nintendo Switch (I inherited it so it was free). And there's a YouTube app available for the Switch. It's a pretty sweet setup! If you're saving money on going to the theatre right now, you may be able to find a refurbished flatscreen that works with this kind of thing. All you need is a way to plug in a streaming stick.
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Post by alece10 on Apr 28, 2020 14:17:20 GMT
Daniel Evans hopes South Pacific can go ahead, and is considering temperature tests and some form of outdoor theatre If South Pacific goes ahead then I wonder what they'll do for those of us with tickets who cannot get there? We live near Cambridge. No way can we get public transport all the way down to Chichester this summer, irrespective of whatever social distancing measures they put in place at the actual theatre. I was just thinking the same. I'm booked to see this but wouldn't be able to travel from London by train with travel restrictions and have no other way of getting there.
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Post by clair on Apr 28, 2020 14:19:55 GMT
On the plus side I suppose those theatres that are often at low capacity such as Charing Cross won't have too many alterations to do when they are allowed to open - they could prove to be the model for smaller audiences as other places see how it could work! They are used to running at lower audience numbers so they could be the ones to lead the way for once
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Post by richey on Apr 28, 2020 15:07:03 GMT
Here's how one theatre is attempting to open with reduced capacity
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Post by SuperTrooper on Apr 28, 2020 15:36:19 GMT
Is there a way of sharing the whole article without me having to sign my life away! You can get free access to a number of articles by registering for free, but I'm sure the mods here would be unhappy if we contravened the Telegraph's copyright... Fair enough, at the point it asked for card details I quit the site!
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Post by Deleted on Apr 28, 2020 15:59:46 GMT
There are two TVs in my house and neither of them are smart. I bought my TV because it was 3D but it came with Smart features built in. I tried them but didn't see the point because what they offered was essentially a restricted version of what I could already do far more easily on my computer. It was very much a matter of "Love the Internet but want it to be a pain to use and wish there was less on it? Well good news!" And now those smart features don't work at all, because the web services they connected to have changed over time and the TV manufacturer hasn't updated the firmware to match because they want me to keep buying new TVs instead of sticking with the old one. So my TV is just a TV; it displays pictures just fine, which is all I ever wanted of it anyway.
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Post by n1david on Apr 28, 2020 16:27:55 GMT
You can get free access to a number of articles by registering for free, but I'm sure the mods here would be unhappy if we contravened the Telegraph's copyright... Fair enough, at the point it asked for card details I quit the site! OK, you went down the Subscription route, which is obviously what the Telegraph would like you to do! If you go to the “Login” link, there’s an option to “Create a Telegraph account”. That’s free and gives you a few articles a week (except Premium ones, which this one isn’t)
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Post by basdfg on Apr 28, 2020 16:46:39 GMT
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Post by SuperTrooper on Apr 28, 2020 16:47:38 GMT
Fair enough, at the point it asked for card details I quit the site! OK, you went down the Subscription route, which is obviously what the Telegraph would like you to do! If you go to the “Login” link, there’s an option to “Create a Telegraph account”. That’s free and gives you a few articles a week (except Premium ones, which this one isn’t) Cheeky sods! Thanks 😊
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Post by Deleted on Apr 28, 2020 17:19:53 GMT
Here's how one theatre is attempting to open with reduced capacity Unless they double or triple the ticket prices they are going to be losing money hand over fist. The big problem with theatre is running costs, if you don't meet those then you would be economically better off doing nothing. Given that reserves are going to be depleted or have disappeared totally, there will be just no funds there to keep the shows running.
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Post by talkingheads on Apr 28, 2020 17:37:59 GMT
Here's how one theatre is attempting to open with reduced capacity Unless they double or triple the ticket prices they are going to be losing money hand over fist. The big problem with theatre is running costs, if you don't meet those then you would be economically better off doing nothing. Given that reserves are going to be depleted or have disappeared totally, there will be just no funds there to keep the shows running. I wonder if it might lead to more performances a day? Like the old days when there was first house and second house for variety shows. Otherwise I agree. Putting prices up means less tickets sold anyway
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Post by BurlyBeaR on Apr 28, 2020 17:38:22 GMT
They obviously think it’s viable or they wouldn’t be doing it.
And if it’s a choice between no theatre or more expensive theatre, a lot of theatre enthusiasts who can afford it will choose more expensive theatre.
Well done to them for coming up with a plan and trying something.
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Post by tommy on Apr 28, 2020 17:50:55 GMT
Perhaps this has been mentioned yet, but apart from social distance in the audience, how about the social distance on stage? Certainly in case of productions with a large number of people on stage, this will be a challenge to re-arrange, unless the actors will wear protection masks. But also for the more small scale theatres and productions the challenge of keeping social distance won't be an easy exercise. I personally love good quality small scale productions, but also realise that in most cases the audience is so close to the performers. But in a creative sector as theatre is, I'm sure many of them will come up with original solutions.
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