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Post by David J on Feb 4, 2020 13:24:39 GMT
So the Swan Theatre is to be transformed into this arena-esque staging of Shakespeare's dramatization of one of England's most turbulent periods Gregory Doran seems to have finally realised that the RSC is behind the times and has decided to hop on Nicholas Hyntner's Shakespeare promenade bandwagon with 100 standing tickets right in the middle of the action. I'd personally be thrilled for a Henry VI promenade production. It has the makings of a visionary and intensive production that these plays need...if it was in the Royal Shakespeare Theatre or Bridge Theatre. How the heck are they going to fit this on the tiny swan stage. The artist's visualisation www.rsc.org.uk/our-theatres/seating-plans shows the arena-esque seats where the stalls so the stage itself looks the same except extended forwards with another entrance at the end. Still, isn't this going to be crowded with 100 audience members sharing the space with the actors?
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Post by David J on Feb 4, 2020 13:34:30 GMT
Owen Horsley is directing with Gregory Doran (co-director or overseeing?).
I've only seen Horsley's Salome in the Swan which...had its moments. He also directed David Edgar's Maydays back in the 2018 Mischief Festival.
So a director with some flair alongside milquetoast Gregory Doran. I hope Troilus and Cressida has put Doran back in the mood to but on Shakespeare that is above average
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Post by Jan on Feb 4, 2020 13:40:42 GMT
They did promenade productions of Winters Tale and Pericles in the Swan in 2006 so it is hardly a radical new idea as they claim. It was pretty crowded for those, you really just had to pick a spot and stand there, quite unlike Hytner’s Bridge productions.
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Post by learfan on Feb 4, 2020 15:28:52 GMT
They did promenade productions of Winters Tale and Pericles in the Swan in 2006 so it is hardly a radical new idea as they claim. It was pretty crowded for those, you really just had to pick a spot and stand there, quite unlike Hytner’s Bridge productions. They were both v good, surprised they waited so long to have another go.
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Post by David J on Feb 4, 2020 18:40:34 GMT
They did promenade productions of Winters Tale and Pericles in the Swan in 2006 so it is hardly a radical new idea as they claim. It was pretty crowded for those, you really just had to pick a spot and stand there, quite unlike Hytner’s Bridge productions. Did they take out a lot of the stalls seats for that? I thought I read that domewhere
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