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Post by david on Sept 24, 2019 23:29:58 GMT
I saw this tonight and what an absolutely fantastic piece of theatre. As Rob Icke’s final production as Associate Director at the Almeida, this was a great way to go. As a fan of both Robert Icke and Juliet Stevenson’s previous collaborations at the Almeida, i was hoping for more of the same and they certainly delivered here. For me, it was one of those pieces of theatre that really does challenge you in its subject matter as the narrative is played out on stage (as the different characters try to work through their respective issues) and certainly it’s a production that will linger in my mind as I chew over it’s content in the days to come.
Certainly, the set design by Hildegard Bechtler, simplistic in its design was rather effective (a nice use of the revolve here (and who doesn’t like a nice revolving set?) in allowing the various arguments and discussions to play out and as a patron draws you into that environment. I’ll admit, I was a little wary about how the drum kit was going to be employed in the production ( I was secretly hoping we might of got a bit of music from the 1980’s glam rock band Dr and the Medics during proceedings), but the use of it to help heighten the tension actually worked really well. A big shout out to Hannah Ledwidge for her contribution to this production.
Casting wise, what a cast this was. Absolutely no weak links here and I thought the gender and race swaps with the different characters was incredibly effective. Juliet Stevenson was just sublime as the lead. Her portrayal of the Dr was just brilliant to watch (swapping those hospital scenes where she came across as quite a cold hard faced character to those more tender moments, particularly played alongside Ria Zmitrowicz (who was great as the feisty kid) and later on with the Priest.
A thoroughly deserved standing ovation my me and quite a lot of other patrons who where sat in the stalls tonight and it’s great that this production is getting a transfer next year to allow more people to see this truly wonderful production. 5⭐️
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Post by londonpostie on Sept 25, 2019 17:48:06 GMT
Had the opportunity to make a return visit today - if it's substantial work I seem to find the second viewing more revealing. This is such very strong work, imo. The scene when she's confronted with her own entitlement is outstanding, and I love how the writer or director or both gifted Stephenson a scene where she is simultaneously on stage and on screen - the dream scenario, dahling. Like the whole work it's so clever without being at all 'too clever'.
Never mind the west end, given the religious aspect and the key word - an absolute trigger in US culture - I do hope it gets a chance somewhere in New York. |
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Post by joem on Sept 26, 2019 23:37:53 GMT
Interesting play of ideas, even if it picks an easy target, and Juliet Stevenson shows once more why she is one of our finest living actresses. The gender/race swap was fairly pointless once the point had been made and did the play no favours. And the music, though atmospheric at times, was annoying during the interval when the musician pissed off and left a monotonous drum machine playing the same few notes over and over again. Bit like people who leave their dogs alone at home all day to entertain the neighbours.
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Post by popcultureboy on Sept 27, 2019 0:22:24 GMT
The gender/race swap was fairly pointless once the point had been made and did the play no favours Never has a point been missed more spectacularly. |
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Post by Deleted on Nov 22, 2019 10:14:28 GMT
Playing Theatre Royal Brighton week starting 30th march
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1,867 posts
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Post by Dave B on Nov 25, 2019 13:40:31 GMT
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Post by londonpostie on Jan 1, 2020 12:46:11 GMT
Imo, absolute must see from the Almeida earlier this year. Outstanding writing from Robert Icke. Anyway, heads up for the cheap seats on this transfer - and a happy new year to all 
From £15 + fee in the WE, from £13 at Richmond and Brighton.
p.s. I think the booking fee is less with LoveTheatre:
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Post by crowblack on Jan 1, 2020 19:17:23 GMT
Are they the only places this is touring to, Outer London and one of London's main dormitory towns? I was hoping it might come to the Lowry. |
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Post by londonpostie on Jan 1, 2020 19:33:31 GMT
It might depend on one of two things, does Juliet Stephenson have good friends there, or is within a 30-min Uber of Islington at 11pm ..
It really should end up on one of those digital platforms .. NT/BBC Live
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3,040 posts
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Post by crowblack on Jan 1, 2020 20:15:54 GMT
It might depend on one of two things, does Juliet Stephenson have good friends there, or is within a 30-min Uber of Islington at 11pm .. It really should end up on one of those digital platforms .. NT/BBC Live Mary Stuart did a few dates at the Lowry so it may happen - so saying, from what I've read about it, I don't think the rather Islingtonny identity politics theme would resonate as strongly with a more socially/class diverse Northern audience. |
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Post by londonpostie on Jan 1, 2020 20:26:43 GMT
Robert Icke might know, he's from the North East.
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3,040 posts
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Post by crowblack on Jan 1, 2020 20:35:25 GMT
Robert Icke might know, he's from the North East. Maybe that's why they're sticking to Richmond and Brighton! |
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Post by BurlyBeaR on Jan 2, 2020 11:22:44 GMT
Merged.
Thread title updated
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Post by emilytemple on Feb 12, 2020 14:07:21 GMT
Will be day seat or Ticket rush on it?
I was intersting before but now with Jamie Parker in it i just must see
Date i am intersting it decent Stalls seat are 92💷 and 65 one back on stalls
Left
(With vertigo just probably will not feel comfortably in upper c When cheap Ticket are and ( all air company from my city recently rise ✈️ Ticket price to uk (wonder "brexit" why) so almost 100💷 on theather is off The table )
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Post by emilytemple on Feb 14, 2020 11:27:25 GMT
Ok.. i will wait than
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Post by rumbledoll on Feb 14, 2020 15:56:37 GMT
So happy Jamie is finally back! And is in for such a splendid piece of work.
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Post by NeilVHughes on Feb 26, 2020 19:02:37 GMT
Missed that this was on at Richmond (despite being in the title) and only twigged when visiting the establishment for tonight’s astronomical lecture by the raconteur Count Arthur Strong.
Loved the play at the Almeida and didn’t really look into it too much as wasn’t prepared to pay West End prices to see it again, out of curiosity looked at availability at Richmond and was unable to resist a front row ticket for £25 for the Friday night.
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Post by emilytemple on Mar 2, 2020 21:38:35 GMT
I probably stupit and Google is no my friend🤷. I wonder Ticket marks
(Under 30's key workers, job seekers allowance & similar government benefits (ID required on collection) it is for UK Citizen only?
Also under 30 by year or moth..like at
At day of performance have 29 year and 8 month, but in past at bookoffice((at my home town) were looking at the year = 30 already 🤷
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Post by popcultureboy on Mar 2, 2020 23:00:40 GMT
At day of performance have 29 year and 8 month, but in past at bookoffice((at my home town) were looking at the year = 30 already If, on the day you see The Doctor at the Duke of York's, you are 29 years old and 8 months, you are entitled to an under 30's ticket. |
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Post by emilytemple on Mar 3, 2020 16:48:02 GMT
👍. I bought one for me..
I did't find any restrictions About it's only UK so i guess international
People under 30s can buy this🤞
And for 2 Ticket You need show 2 ID right
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Post by Stephen on Mar 3, 2020 19:50:22 GMT
I've just finished reading this after missing it at the Almeida. Have to admit I'm chuffed with the under 30s ticket deal and think that for a West End transfer it's great value.
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Post by popcultureboy on Mar 3, 2020 23:21:39 GMT
👍. I bought one for me.. I did't find any restrictions About it's only UK so i guess international People under 30s can buy this🤞 And for 2 Ticket You need show 2 ID right The buyer named on the ticket will need to show valid ID when they collect yes. It's in the T&Cs. :-) |
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Post by Rory on Apr 9, 2020 10:28:31 GMT
This was scheduled to run at the Duke of York's between 18th April - 18th July. As ATG venues are now closed until 1st June, the 13 week season is now down to 7 weeks. It still seems to be proceeding.
It's pretty much the only production of hers that Sonia Friedman hasn't given a clear indication as to what's likely to happen. All her other shows have been temporarily postponed until later in the year (apart from The Watsons which could still benefit from a lengthy season if the theatre resumes as scheduled). I wonder if there are plans to postpone The Doctor? I would love to see it, having bought a May ticket, but have doubts whether anything will be running in June.
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Post by Rory on Apr 17, 2020 17:58:59 GMT
Sonia Friedman's website has now taken down The Watsons and The Doctor from the list of current/forthcoming shows.
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Post by Rory on May 8, 2020 13:21:17 GMT
I know I'm harping on about this but why has there been no announcement from Sonia Friedman about what is happening to this show? Guidance has been given on all her other shows.
If there's no stated intention to reschedule it, I'm going to have to get the battle armour on and seek a refund from ATG.
Same applies to The Seagull and A Doll's House. I know it's bloody tough for producers but surely Jamie Lloyd could have issued some sort of statement by now?
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