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Post by Dr Tom on Apr 25, 2019 2:28:59 GMT
Thought you might like some opinions of the shows I got to see during my visit over the past few days. Work trip, plus some vacation days at the end.
Calgary isn't a terribly exciting city. I'm told there's lots to do if you go on a local drive (i.e. a couple of hours into the mountains), but I didn't have time to explore.
NYC seemed quieter than usual over the Easter weekend. I didn't get to see all the latest recommended shows as I just stuck with ones on TDF (plus Avenue Q with TodayTix). Had to keep on a budget for this one.
i did finally see Mary Poppins Returns on the plane, which was excellent.
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Post by Dr Tom on Apr 25, 2019 2:37:28 GMT
Billy Elliot - Theatre Calgary
Turns out, there are a few theatres in Calgary, mostly in one complex. There were some plays on, but I only chance to see this regional production.
It was a professional production, running for about a month, apparently a popular group in the local area. I got the impression that a lot of the same actors appear in all the productions they run. That rather came across in the staging, as I didn't find everyone that well aged for the roles.
For a regional production, this was very good. Decent sets, different staging to the only other version I've seen (London and UK tour).
A few script changes. Wayne Sleep was replaced with someone I didn't recognise. There was a "that woman" when Billy and Michael were talking about Mrs Wilkinson. I'm sure there were others. The Margaret Thatcher scheme was people in orange wigs. And I'm sure the scene where the minors give Billy money was very different. I guess all to make this make sense for the Canadian audience.
Seats were comfortable, good view from the second row. But the stage sloped downwards from right to left, which was very disconcerting to watch. I suppose it would be less obvious from the back.
The main thing that put me off? Accents were all over the place. Some of the cast made a good go, others I had to guess where they were from. Tony was more Irish than anything. The children were probably the best, although not West End standard. Some talented dancers.
As I said, interesting to see a different production of this and it's always a great musical.
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Post by Dr Tom on Apr 25, 2019 2:41:45 GMT
My Fair Lady
I saw this soon after it first opened. It's improved with a year and a few cast changes.
Harry Haddon-Paton was really good vocally. I wasn't sold on Laura Benanti. Her English accents (cockney and received) were both all over the place.
This production is very well done and I hope it transfers to London. I don't think it will be up there as one of the Lincoln Centre long runners as it's regularly on TDF now and not selling out. But I'd certainly see it again.
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Post by Dr Tom on Apr 25, 2019 2:45:12 GMT
Tootsie
This was the surprise hit of the trip. Witty and I like the music.
I only vaguely remember the film but this is rewritten anyway. It's all staged around musical theatre actors, which works perfectly on broadway.
Santino Fontana is the highlight. He owns the stage and slips between his different roles with ease. Excellent voice.
I wasn't completely sold on the ending. It was a bit abrupt. But I would definitely go again.
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Post by Dr Tom on Apr 25, 2019 2:51:17 GMT
The Cher Show
Not really one for me, but it was enjoyable enough. I quite like Cher, but this was at the lower end of jukebox musicals. I just think her life was more interesting than the way it was presented.
Jarrod Spector is the highlight as Sonny Bono. You can see why he played Frankie Valli over 1500 times.
All the memorable Cher songs are there, including those from her return to the top in the last 1990s. They did struggle to get people on their feet at the end though, which is a shock on Broadway where they tend to get instant standing ovations.
Nearly everywhere on New York was collecting for Broadway Cares and they auctioned off a Cher doll (signed by Cher) for $1000 at the end of the show. I didn't bid.
Glad to have ticked this one off my list.
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Post by Dr Tom on Apr 25, 2019 2:58:32 GMT
Jersey Boys
One of my favourites, this has transferred incredibly well to New World Stages. Really interesting to see it in the intimate venue, with an excellent view a few rows from the front, compared to the large halls the UK tour has been playing.
The book is the same, but everything else has been reworked to fit in the smaller venue and bring the cast down to (if I remember correctly 10, 4 leads, 3 male performers, 3 female performers). I get the idea this is the more like the cruise ship staging. The small set items are pushed on and off. The band of five are at the back of the stage, mostly concealed apart from the drummer.
There are all kinds of tricks used to make this work with the smaller cast, including things like the band forming the post-slip Jersey Boys.
If you didn't know the show, you wouldn't always keep track of who is playing who, particularly as the ages aren't always appropriate. But I got the impression almost everyone in the audience knew and loved the show.
The cast are almost all pulled from other Jersey Boys productions, including the cruise ships, tours and on broadway. There were a few "first job" type cast members as well, but I guess that's the logistics of off-broadway.
Nicolas Dromand had just returned to the cast as Tommy DeVito and you could see his experience playing the role for a long time coming through.
This is a bit hidden away on New World Stages, but deserves to be a long runner for them.[/font]
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Post by Dr Tom on Apr 25, 2019 3:05:48 GMT
Beautiful
Another of my favourites, seen from an excellent Stalls seat, although this was very quiet on the evening of Easter Sunday.
I wasn't so keen on the portrayal of Carole, even though the actor playing her has been in the role (Broadway and tour) off and on for a while. Her accent just didn't seem right. Cover on from Danny.
They'd managed to add a lot more riffs. Don't know if that was to keen themselves amused because of the small crowd, or if that happens all the times. Particularly noticeable during We've Got To Get Out Of The Space, worked well, but not the song that was written.
The usual surprised tourists not realising there would be music not written by Carole King at the show.
Lots of adverts around Broadway and a mention at the show that they'd past the five year mark.
Looking forward to the UK tour of this one next year, which I think will come across as fresher.
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Post by Dr Tom on Apr 25, 2019 3:11:17 GMT
Avenue Q
The final show in this quick round-up. One of my favourites and the one I wanted to see before it closes in May.
All the leads were on, including Veronica Kuehn, who has just returned to the show as Kate Monster to close things up, after a few years away.
Surprised as always to see several families bringing young children to the show (and returning after the interval).
This was performed with a lot more energy and flourishes than usual. The cast were still trying out new things as part of the staging. In particular, Nick Kohn, who's been on as Brian for years, seemed much more energetic than usual. He gave a great speech at the end for the last day collecting for Broadway Cares at the end, obviously emotional about the upcoming closure.
This is one I'll miss, but i wouldn't be surprised if they find a way to bring it back before too long, perhaps at a different small theatre.
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Post by 49thand8th on Apr 25, 2019 18:34:39 GMT
TootsieThis was the surprise hit of the trip. Witty and I like the music. I only vaguely remember the film but this is rewritten anyway. It's all staged around musical theatre actors, which works perfectly on broadway. Santino Fontana is the highlight. He owns the stage and slips between his different roles with ease. Excellent voice. I wasn't completely sold on the ending. It was a bit abrupt. But I would definitely go again. I saw the final preview and was also surprised how much I enjoyed it! The score isn't strong, but the one-liners are. Agree with you on the ending, though.
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