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Post by d'James on Jul 14, 2018 20:55:08 GMT
Did anyone ever try Wooshtershooshtershooshter Sauce Twiglets? (I’m sure there was a snack thread haha.)
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Post by sherriebythesea on Jul 14, 2018 21:08:39 GMT
I’m going to market in the morning for some cashews. Found several recipes for marmite cashews and now HAVE to try them. I even found a marmite salted caramel cake frosting recipe that sounds so good also
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Post by tmesis on Jul 15, 2018 7:59:18 GMT
Walkers now sell Marmite crisps but you can no longer get Bovril ones. This is a travesty, we need both! Long gone are the days of Oxo crisps and (a vague memory this) of Baked Bean Flavour in the seventies. The king of crazy crisp manufacturers has to have been Tudor who created chocolate crisps (just wrong) and kipper (smelly) amongst other mad flights of fancy. I have reason to remember Oxo crisps very well. As a child of 4 or 5 in the late 1950s my parents kept a pub on the Derbys/Notts border, an area that would now be called D.H.Lawrence Country. Picture if you will young tmesis sat on his favourite improvised stool, an inverted Smiths Crisp tin. Yes unbelievable then the individual packets of crisps did not come in a cardboard box but a very pleasingly decorated tin made by Metalbox. The pub was called The Greyhound Inn and I have extremely vivid and fond memories of my childhood there. There I would be sat on my tin, packet of salted Smiths crisps in one hand and a bottle of Vimto, with straw (even though I lived in the same village as Dennis Skinner we had standards then and it was considered vulgar to drink straight from the bottle.) The crisps would thrillingly have inside them a scrunched up bit of blue waxed paper containing the salt. I remember the brewery later on supplying us with a new type of crisp called Golden Wonder which had much more garish packaging and, how cutting edge, came in cardboard box. They pioneered the exotic flavours including Oxo. Later on, when I started school, I would come home with my friend Peter and, the pub being closed, we would enjoy a game of darts or dominoes in the tap-room. This we would accompany with a naughty 1/4 pint of mild (we enjoyed the sweetness of mild more than bitter.) All you CAMRA fans might like to know that this was obviously real ale since that was all there was; people knew no other as vile keg beer was still a few years away.
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Post by ellie1981 on Jul 15, 2018 17:21:59 GMT
Did anyone ever try Wooshtershooshtershooshter Sauce Twiglets? (I’m sure there was a snack thread haha.) I could live off Worcestershire Sauce. Seriously I buy a new bottle every couple of weeks. Even have friends who go to Costco and grab me the double pack of 500ml bottles to tide me over for a while. I’ve even tried it (as a joke) by adding it to chocolate cake, but still found it delicious. The Worcester Sauce Twiglets were a bit of a letdown. I had to manually add more sauce.
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Post by Deleted on Jul 15, 2018 18:06:49 GMT
I remember during a Primary School "Creative Writing" lesson we had to write about favourite foods. And I wrote about Worcestershire Sauce. Thinking back that was probably a very odd thing for the teacher to read a like 10 year old loving but hey ho.
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721 posts
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Post by hulmeman on Jul 15, 2018 18:24:27 GMT
I’m going to market in the morning for some cashews. Found several recipes for marmite cashews and now HAVE to try them. I even found a marmite salted caramel cake frosting recipe that sounds so good also No sherriebythesea marmite salted caramel cake frosting is just wrong. It will not end well. You'll be proposing pancakes, bacon and syrup next.
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Post by Deleted on Jul 15, 2018 20:27:27 GMT
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Post by Deleted on Jul 15, 2018 21:22:43 GMT
Does this thread need re-titling to Condiment Conversations?
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Post by Deleted on Jul 16, 2018 8:09:52 GMT
I used to love the crisps with the little packet of salt in the bag. Sometimes you’d find two bags of salt- it was almost like finding that extra sticker in your Batman stickers packet! Walkers still make these crisps. They’re called Salt’n’Shake.
But better than these were Burtons Ready Salted Potato Puffs. Heaven! You could get them in the bakers after school. I can remember my mum buying me a bag to take to school next morning for my tuck. You had to put your tuck on the teacher’s desk after she had written your name on it with her Magic Marker.
I don’t know what I loved best: the potato puffs or the smell of her Magic Marker...
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Post by firefingers on Jul 16, 2018 12:04:37 GMT
Wrong thread.
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19,787 posts
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Post by BurlyBeaR on Jul 16, 2018 12:22:15 GMT
A true local delicacy. No one in Sheffield (the origin of this) calls it Yorkshire Sauce. It’s called Henderson’s, Hendo’s or just “relish”. I suppose the crisp manufacturers have called it Yorkshire Sauce to put it in some kind of context. There is absolutely nothing like it on chips, a meat pie or a bowl of stew. You can get it on amazon now, which makes me feel very uncomfortable!
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Post by Deleted on Jul 16, 2018 15:30:11 GMT
A true local delicacy. No one in Sheffield (the origin of this) calls it Yorkshire Sauce. It’s called Henderson’s, Hendo’s or just “relish”. I suppose the crisp manufacturers have called it Yorkshire Sauce to put it in some kind of context. There is absolutely nothing like it on chips, a meat pie or a bowl of stew. You can get it on amazon now, which makes me feel very uncomfortable! I know it as Yorkshire Relish, no idea why they called it sauce. I’ve been pining for a (Hull chippy delicacy) pattie or its cheese variety recently but no way of doing so unless I get on the train! It’s a sort of potato mash with herbs fried in dripping, not good if you are on a diet.
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19,787 posts
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Post by BurlyBeaR on Jul 16, 2018 16:47:22 GMT
I’ve never seen a Yorkshire fishcake outside of Sheffield either. Flaked fish between two slices from a large potato, battered and deep fried. It’s your fish and your chips all in one gobfull. They do them in a butty at the Crucible Corner.
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Post by Jon on Jul 22, 2018 0:08:26 GMT
After seeing The Jungle, I’m curious where does the original stage of the Playhouse goes to when they do a show that requires reconfiguration and likely removal of the stage, also applies to shows like A Christmas Carol.
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367 posts
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Post by raider80 on Jul 22, 2018 2:26:40 GMT
I have a question,
When there is an equity exchange between the American and British equities do the actors have to be in the same show on both sides of the pond? For example, on Broadway most of the Cursed Child leads are on an exchange right now so, is there the same number of Americans right now in the West End Production? Or, a few years back when Jennifer Dinoia came over for Wicked did a British actor come in and do the Broadway production?
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7,189 posts
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Post by Jon on Jul 22, 2018 9:42:41 GMT
I have a question, When there is an equity exchange between the American and British equities do the actors have to be in the same show on both sides of the pond? For example, on Broadway most of the Cursed Child leads are on an exchange right now so, is there the same number of Americans right now in the West End Production? Or, a few years back when Jennifer Dinoia came over for Wicked did a British actor come in and do the Broadway production? I believe it’s not a straight swap, The Inheritance for example had a lot of Americans in it so that production would have been enough for the Equity Exchange to be satisfied
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Post by firefingers on Jul 22, 2018 9:58:09 GMT
After seeing The Jungle, I’m curious where does the original stage of the Playhouse goes to when they do a show that requires reconfiguration and likely removal of the stage, also applies to shows like A Christmas Carol. Having sat in the AFGAN cafe you can see the flys through the side entrances etc, so I think the stage is at the same level as the show floor. At a guess, the Playhouse stalls were raked down to the stage, meaning the entrances into the auditorium from the foyer the same height as the stage. They simply built an antirake (a floor the replicates the slope but going the other way) to create a flat playing space. Stages aren't usually something one can remove, but haven't seen A Christmas Carol to comment on that. Other houses like Southwark or the Young Vic tend to build stages out of steel deck (like this: scenerysolutions.co.uk/newsite/wp-content/uploads/2015/04/4x4deck.jpg ) when needed, and store them stacked/tipped on their sides when not.
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Post by firefingers on Jul 22, 2018 10:01:16 GMT
I have a question, When there is an equity exchange between the American and British equities do the actors have to be in the same show on both sides of the pond? For example, on Broadway most of the Cursed Child leads are on an exchange right now so, is there the same number of Americans right now in the West End Production? Or, a few years back when Jennifer Dinoia came over for Wicked did a British actor come in and do the Broadway production? I believe it’s not a straight swap, The Inheritance for example had a lot of Americans in it so that production would have been enough for the Equity Exchange to be satisfied Yes I understand it to be "The UK has sent 27 actors to the US this year, the US has only sent 14 back, so we need to limit Britsh actors going to the US until we have better parity between the two." Although it felt like The Inheritance had a lot of Americans, several were actually already resident in Britain and so not part of that system.
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Post by Deleted on Jul 22, 2018 10:30:11 GMT
Just to add to the equity arrangements- that's my understanding of it too, it's an overall total across the year, which it's presumably someone's job in Equity to be monitoring.
I assume that there's some kind of parity regulation on size/length of productions etc but it doesn't have to be an exact science of 'like for like'.
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7,189 posts
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Post by Jon on Jul 22, 2018 10:43:44 GMT
After seeing The Jungle, I’m curious where does the original stage of the Playhouse goes to when they do a show that requires reconfiguration and likely removal of the stage, also applies to shows like A Christmas Carol. Having sat in the AFGAN cafe you can see the flys through the side entrances etc, so I think the stage is at the same level as the show floor. At a guess, the Playhouse stalls were raked down to the stage, meaning the entrances into the auditorium from the foyer the same height as the stage. They simply built an antirake (a floor the replicates the slope but going the other way) to create a flat playing space. Stages aren't usually something one can remove, but haven't seen A Christmas Carol to comment on that. Other houses like Southwark or the Young Vic tend to build stages out of steel deck (like this: scenerysolutions.co.uk/newsite/wp-content/uploads/2015/04/4x4deck.jpg ) when needed, and store them stacked/tipped on their sides when not. After looking at some pictures of A Christmas Carol, it seems they did just built over the existing stage similar to create the in the staging and also partially took out the boxes. Just to add to the equity arrangements- that's my understanding of it too, it's an overall total across the year, which it's presumably someone's job in Equity to be monitoring. I assume that there's some kind of parity regulation on size/length of productions etc but it doesn't have to be an exact science of 'like for like'. I assume if you’re relatively famous, the Equity exchange doesn’t apply.
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Post by Deleted on Jul 22, 2018 10:46:18 GMT
I assume if you’re relatively famous, the Equity exchange doesn’t apply. I don't know- I always assumed it was across the board (the Broadway Unions being pretty powerful beasts and all). So for example if we drop Ian McKellan down on Broadway then we have to take an American in return, and vice versa regardless of how expensive that actor is. But someone more well-versed in Equity regulations would have to answer because that's just my assumptions.
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Post by firefingers on Jul 22, 2018 11:10:42 GMT
Ooo a bonus thing I should mention on stages. Stages tend to be made up of sections. Usually, everything from the pros arch back is solid, build etc. Some venues use steel deck on a steel frame to form the floor (so you can take a section out easily for a trapdoor etc), but it essentially always there. But sometimes theatres will have moveable parts infront of the pros (not massive, perhaps up to 8 foot in depth). These are often motorised to lift up and down. Lift it up you have a trust on your stage, drop it down to flat with the auditorium you've got an extra couple of rows of seats, drop it down more and you can create an orchestra pit. These are also massively handy if you store things under the stage like lighting equipment or flightcases, as it essentially gives you a lift to take stuff from under the stage to stage level. It's also not unusual for shows to build a thrust and even tour it. I did a show which had a "river" running along the front of the stage, with the middle deep enough to jump in and fully submerge, so at every venue we built an extra 4 foot structure on the front of stage to allow for this.
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Post by Someone in a tree on Jul 22, 2018 15:32:44 GMT
A true local delicacy. No one in Sheffield (the origin of this) calls it Yorkshire Sauce. It’s called Henderson’s, Hendo’s or just “relish”. I suppose the crisp manufacturers have called it Yorkshire Sauce to put it in some kind of context. There is absolutely nothing like it on chips, a meat pie or a bowl of stew. You can get it on amazon now, which makes me feel very uncomfortable! I know it as Yorkshire Relish, no idea why they called it sauce. I’ve been pining for a (Hull chippy delicacy) pattie or its cheese variety recently but no way of doing so unless I get on the train! It’s a sort of potato mash with herbs fried in dripping, not good if you are on a diet. As I was in Hull earlier today I had one!
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Post by raider80 on Jul 22, 2018 15:56:34 GMT
Thank you Firefingers, I'm now trying to think of the 27 who came over.
7 of them are from the Cursed Child. Charlie Stemp for Hello, Dolly! Diana Rigg for MFL Glenda Jackson for Three Tall Woman Jye Frasca is playing Boq on Broadway Stephen Ashfield: I don't if he counts or not because 1.) he has been on Broadway for almost two years. 2.) Book of Mormon has American Prices and Cunninghams on the West End so they might have a separate setup with the actors union. I'm not sure about the current cast of The Play That Goes Wrong. I know most of them are British but, I'm pretty sure they have all lived in America for a while and might be members of the AEA now.
I now i'm missing a lot but here is just a small sample of British actors on Broadway right now. If i'm wrong feel free to correct me.
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Post by Jon on Jul 22, 2018 16:31:35 GMT
^Harry Hadden-Paton and Allan Corduner are also in My Fair Lady.
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