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Post by Deleted on Jul 4, 2016 13:26:07 GMT
{Spoiler - click to view} Spoiler
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Post by Marwood on Jul 4, 2016 13:27:28 GMT
What's the spoiler? I clicked on 'Spoiler- click to view' and I just got Spoiler underneath in grey (unless it's just this PC)
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Post by popcultureboy on Jul 4, 2016 18:17:23 GMT
The spoiler is Honoured Guest thinks they're uproariously funny.
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Post by Deleted on Jul 4, 2016 18:18:08 GMT
Doesn't open for a few weeks. And I doubt there will be THAT much to spoil as it only lasts 600 seconds!!
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Post by Deleted on Jul 4, 2016 21:48:43 GMT
Doesn't open for a few weeks. And I doubt there will be THAT much to spoil as it only lasts 600 seconds!! {Spoiler - click to view} Approximately.
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Post by perfectspy on Jul 16, 2016 19:09:11 GMT
I must say, Churchill's plays are getting shorter and shorter. Quite literally being paid by the minute. What next, a play on her shopping list.
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Post by Deleted on Jul 16, 2016 19:48:20 GMT
After the ridiculous number of plays inflating themselves past the three hour mark this year, I can't think of anything I'd like to see more than something that'll be over in ten minutes.
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Post by Deleted on Jul 20, 2016 11:34:49 GMT
So I know this thread was a joke but can we actually have a spoiler and non spoiler thread going on at same time? 10 mins is the kind of running time that is very hard not to spoil. I'm going next Monday and am super excited, 100% of CC's plays, so far, Iv loved!
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Post by Deleted on Jul 20, 2016 11:42:13 GMT
I have a nagging feeling that this play will be a massive downer, which will be heartbreaking as Fisayo Akinade was so lovable in Cucumber and Banana.
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Post by Snciole on Jul 20, 2016 12:28:14 GMT
I am going tonight before rushing to Exposure the Musical. Say what you like about me I am very open minded when it comes to theatres!
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Post by Deleted on Jul 20, 2016 12:45:43 GMT
I reckon the actors won't be there, maybe they are on screens or recorded? It says in the blurb it's 'startling' and would the cast wanna go in for 10 mins especially as that lass is quite hot at the mo
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Post by Deleted on Jul 20, 2016 13:16:25 GMT
It'll be over by the end of the month, if actors have the necessary break in their schedules and think a piece sounds interesting enough even with the super short running time to be a part of for a couple of weeks, then whyever wouldn't they be there in person?
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Post by Deleted on Jul 20, 2016 14:41:13 GMT
The website credits only the writer, the director and the three actors.
So either it's a production without decor or sound in rehearsal lighting with the actors in their street clothes (PROBABLE)
Or there's a secret team of video designers, composers, scenic designers, animal wranglers and movement directors (UNLIKELY)
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Post by Marwood on Jul 20, 2016 14:55:01 GMT
I'm going to hazard a guess and say it's doubtful there are no actual pigs and dogs on stage.
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Post by Steve on Jul 20, 2016 18:37:07 GMT
Great play! Some spoilers follow. . . Without wasting a word, this wry, clear-eyed play depicts how hateful ideas about homosexuality have spread like a virus. The three actors are like cells in the body of human history, each playing multiple characters, speaking ideas, reflecting the spread of hate through time and continents. If hate is the disease, this play succinctly and powerfully demonstrates that irony is the cure. The most effective 15 minutes of communication I have seen, this should be performed in every classroom in the country! 5 stars
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Post by Phantom of London on Jul 20, 2016 20:03:44 GMT
Is there a interval between act 1 and act 2?
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Post by Deleted on Jul 21, 2016 10:03:38 GMT
Is there a programme/playtext for this?
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Post by Deleted on Jul 21, 2016 10:41:14 GMT
According to Twitter, there is a playtext, standard £3 cost if bought at the theatre.
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Post by Marwood on Jul 21, 2016 11:06:30 GMT
Presuming it's this : Amazon 40 pages, but probably four or five of them will be a breakdown of the careers of the actors, Caryl Churchill and the production team.
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Post by Deleted on Jul 23, 2016 10:38:33 GMT
Great play! Some spoilers follow. . . Without wasting a word, this wry, clear-eyed play depicts how hateful ideas about homosexuality have spread like a virus. The three actors are like cells in the body of human history, each playing multiple characters, speaking ideas, reflecting the spread of hate through time and continents. If hate is the disease, this play succinctly and powerfully demonstrates that irony is the cure. The most effective 15 minutes of communication I have seen, this should be performed in every classroom in the country! 5 stars Puzzlingly, I agree with you on the play not wasting a word, being wry and clear-eyed and the most effective 15 minutes of communication. Puzzling because it communicated something different to me! It's specifically about African homosexualities, and attitudes in Africa, throughout time, right up to now. Its extraordinary strength is the vast scope which it distils into just fifteen minutes so that we feel that we understand the truth of the mash-up of nature, culture, colonialism, post-colonialism, power and influence. The acting is so highly skilled and assured (although for my personal taste Alex Hassell did strike me as a tad too RSC-actor-chappy) and I suspect that this super-high level of performance is integral to the play's achievement. I felt genuinely enlightened and changed by this play. As I strode out down the King's Road, I was running possible parallel alternative identities through my head, and passers-by were paying me attention as I became more open and was noticed.
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Post by foxa on Jul 23, 2016 18:15:40 GMT
I was there last night (took HG's advice and booked for this to accompany 'Unreachable' which I was seeing at 7.30 - managed to have a quick picnic of sushi between the two.)
Some spoilers:
What I took away was, in response to the Ugandan Anti-Homosexuality Act of 2014, Churchill challenges our perception of attitudes towards homosexuality in Africa (there was a recurring refrain of 'It is our culture') but the play went on to give many linguistic and actual examples of gender fluidity in Africa over the centuries. Later, colonisers and American evangelicals imposed another culture. (There was an interesting line from an American evangelist: 'We failed in the U.S. but we've succeeded in Africa!)
It is educational and we found ourselves listening hard, not wanting to miss a word, but is is so bare, it's almost not a play at all, but a performed essay or a poetic cultural lesson. Worth seeing though. All the actors were deft, with a slight gesture or tone suggesting a new perspective.
Playscripts were available.
P.S. Sharon D. Clarke gave an interesting radio interview about it on Loose Ends today - and also talked about getting married at the Hackney Empire, which sounded wonderful.
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Post by Marwood on Jul 30, 2016 22:44:20 GMT
Saw it earlier today, while I could appreciate the message it was trying to get across, I thought 15 minutes was far too short for it to get a point across (although in its current format, I think running any longer would have become an endurance test rather than something that one would go away from thinking they'd gained something from seeing).
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Post by Deleted on Jul 30, 2016 23:02:44 GMT
I'm surprised there wasn't more chat here about this. And, on the night I went, it seemed markedly less busy than Ding Dong the Wicked. After Escaped Alone being rated highly here, and Here We Go drawing the crowds, I wonder why interest seemed muted for Pigs and Dogs. Perhaps you all saw it and had nothing to say?
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Post by DuchessConstance on Jul 31, 2016 1:03:52 GMT
I saw it and liked it, but I'm not sure really what to say about something so short.
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Post by Deleted on Jul 31, 2016 9:29:25 GMT
I saw it and liked it, but I'm not sure really what to say about something so short. Perhaps it's just one of my personal flaws or quirks, but I very often tune right into one part of a show and am then much less attentive to the rest, so my memories are almost invariably highly partial. With a 15-minute show, there's much more chance of me paying fuller attention all the way through and having a more complete recollection and appreciation of it. With the continuing funding austerity, I've noticed that outside the commercial sector and the favoured and priveleged Arts Council clients, the previously common, bread-and-butter full-length play is vanishing. Instead, audiences are left with the two divergent poles of megatours of largescale musicals and NT hits, and microdramas, usually monologues, commmonly playing for up to an hour, and impeccably written, directed, acted, designed, conceived and executed. This is now so established that Pigs and Dogs seemed to me completely part of today's theatre offer, and longer plays with multiple characters now immediately strike me as self-indulgent and over-the-top.
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