1,500 posts
|
Post by Steve on Jul 2, 2022 22:58:57 GMT
Saw this tonight, and Kathryn Hunter's Lear had me in tears. Not a false note in it, and some great scenes with the Fool (Michelle Terry), who is savagely caustic and funny as well. Apparently, the director got sick the last couple of weeks, so the cast directed themselves (lol), but since Terry's a director and Hunter's done it before, you wouldn't know the director got sick at all, except to say there's no particular original take to this Lear (which will please some and annoy others). It drizzled a bit tonight (felt like a cold sweat), and the Globe crows got a bit rowdy as the sun went down, but it all added to the atmosphere. I do love the Globe's unpredictability. Ryan Donaldson's Edmund was overwhelmingly good. He certainly used the opportunity for interaction with the Groundlings, tainting pretty much every person at the front with some unsavoury quality, which was very funny, especially when he identified a particularly sober looking young woman as a "drunkard" lol. His performance grew and grew, and he was never predictable or one thing, relaxed as Errol Flynn's Robin Hood when I thought he'd be scared, and filled with rage just when I didn't expect, sardonic and witty, intimate and aggressive, and it all made complete sense in the moment. He reacted to the crows, to the rain, to the audience, to the characters, and every bit felt true. Just the most outstanding Edmund, I felt. He, along with the atmosphere, Michelle Terry's Fool, and Kathryn Hunter's frail-in-body ever-aware-in-mind Lear just made for a fantastic night for me. So, maybe not the most directed Lear one could see, but certainly one of note, and it only plays till the 24th of July, and for me, it was well worth it. Running time was 3hours, 15 minutes, and I was out by 10:45pm. 4 and a half stars.
|
|
|
Post by alessia on Jul 3, 2022 5:24:02 GMT
I'm going today, can't wait
|
|
|
Post by alessia on Jul 3, 2022 17:28:44 GMT
I have now seen this, I loved it. I echo the above review about Edmund, one of the best performances of the day. I also was in tears in the second half, and at the end...and Kathryn Hunter remembered the recently deceased Peter Brook, to big applause. I think I could watch her read the phone book and it would be interesting.
|
|
|
Post by budd on Jul 3, 2022 18:47:01 GMT
|
|
315 posts
|
Post by jm25 on Jul 9, 2022 22:53:17 GMT
Watched this today - my first King Lear! - and enjoyed it, though my feet were starting to feel it by the end.
Would absolutely echo the comments about Edmund being fantastic. The chap that plays him was a real standout, and being as I was right at the front and up against the stage, can confirm that he very much involves the crowd in his performance! A real talent.
|
|
116 posts
|
Post by alexandra on Jul 13, 2022 13:14:48 GMT
Kathryn Hunter was off yesterday and again today, sadly, though many congratulations to Helen Schlesinger for stepping in. All very mysterious and no indication of whether she might be back before the end of the run. If anyone knows or hears anything more, please share, as I was very keen to see Hunter.
|
|
|
Post by nottobe on Jul 15, 2022 9:50:02 GMT
I saw this last night and for me it had moments of greatness and others that fell a bit flat.
The only reason I went to see this was for Kathryn Hunter and luckily she was back on and in great form. I have never seen her onstage before so was very excited to. The first moment she is bright onstage in the wheelchair and it is captivating. She embodies a feeble old man and her height and physicality really add to her performance. It was just so brilliant to see her play this part and I never felt like I was watching Kathryn Hunter, I felt like I was watching the actual patriarch Lear.
The other bits of the production itself were a bit hit and miss. I again have never seen Michelle Terry onstage and to be honest she didn't really surprise me, not to say she was bad but it was sort of what I expected. I know she runs the place and all come on, you don't always have to be in a show. Again the actor playing Edmund was great and I also found Reagn a nice performance. I had sort of forgot how much of an ensemble piece King Lear was and I would say when Lear was not onstage I got a bit bored. I am not a Shakespeare purest so I think they could have cut the script a bit as my legs where aching after a while as was the pace.
A final thing that I found a bit annoying and seems to be the case of recent Globe shows is the design and costumes. Sadly we are not in the wonderful Emma Rice period anymore but neither are we in the completely traditional 1600's style. The shows of recent seem to be set in non-descript times maybe 100 years ago but also maybe not. I would like it if they actually chose a period ans style to be set in as this also maybe added to slight incoherence. While I did love Emma Rices tenure, I would have been fully up for seeing this done as 17th century style.
|
|
2,389 posts
|
Post by peggs on Jul 27, 2022 17:48:44 GMT
Kathryn Hunter was off yesterday and again today, sadly, though many congratulations to Helen Schlesinger for stepping in. All very mysterious and no indication of whether she might be back before the end of the run. If anyone knows or hears anything more, please share, as I was very keen to see Hunter. Did you manage to see her in the end alexandra ? I thought she was phenomanally good, from within moments of her entering the stage I felt in safe hands, that she had this and I could relax and enjoy it (I hadn't had high expectations from reports of previous incarnations). I've seen a decent amount of Lear's, it does attract the best actors after all but it's not a play I've really enjoyed before, I loved this. For me the Lear/Fool, Hunter/Terry combo was sublime, could have watched their scenes play out all day.
|
|
751 posts
|
Post by horton on Jul 28, 2022 17:32:34 GMT
I saw the final performance and was generally disappointed. 'King Lear' is my favourite tragedy and I have seen a fair few- this one was just nondescript.
I love Hunter- her Mother Courage is one of my favourite theatre memories- but I felt she lacked a fifth gear vocally. Maybe she is recovering from illness, but she never seemed to be engulfed in rage- annoyance, peevishness, irritation but never in the extremity of feeling that drives Lear to such rash action.
Although I have enjoyed other Terry performances, again, I found nothing illuminating in Cordelia/ Fool. Most crucially I didn't see any point in the double casting as presented in this production (I have seen it used effectively elsewhere). It was just like she fancied both roles so played them both. But there was no purpose.
I was not fond of Edmund either- a lot of the playing with the crowd was panto-level breaking of the 4th wall. Again, what was the point? No justification was achieved for his wrong-doing by him being a clown on the surface.
And I also think the design was muddled- like the cast was just told to go into wardrobe and find anything they fancied.
Stodgy, mediocre regional rep-level show. Not what I hope for from such a venue.
|
|