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Post by publius on Jun 8, 2017 13:16:56 GMT
Having read the mixed reviews here I went with trepidation yesterday but thoroughly enjoyed it! The comparisons to The History Boys are easy and obvious but it felt fresh and new and incredibly well acted and put together. I do agree that they could have dropped slightly less swear words but thats probably just my inner prude talking, and I suppose it is capturing naturalistic dialogue of that age and location category? The thing about the swearing is that it is consistent with Scottish culture. It's not done to shock but represent a culture.
Swearing in Scotland has a completely different connotation than south of the border and is very widespread across the generations and classes.
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Post by JJShaw on Jun 8, 2017 15:05:12 GMT
Having read the mixed reviews here I went with trepidation yesterday but thoroughly enjoyed it! The comparisons to The History Boys are easy and obvious but it felt fresh and new and incredibly well acted and put together. I do agree that they could have dropped slightly less swear words but thats probably just my inner prude talking, and I suppose it is capturing naturalistic dialogue of that age and location category? The thing about the swearing is that it is consistent with Scottish culture. It's not done to shock but represent a culture.
Swearing in Scotland has a completely different connotation than south of the border and is very widespread across the generations and classes.
i agree and thats kind of why i could give it a pass because it wasn't overused 'just for shock' or to be all 'look how cool and edgy we are and down with young people' it served a purpose
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Post by TallPaul on Jun 9, 2017 12:53:07 GMT
It's all coming out now. One simply doesn't know what, or who, to believe anymore LOL, meaning, if an error like that is picked up, it would be held off publication until the writer had been contacted and asked if they'd like to correct it. Basic fact checking isn't something the web is good at, so one thing always done at theatremonkey is to read the emails we get sent and make sure the basics are there before it goes online. Rare slips, luckily over almost 17 years - and mostly mine from notes made on the tube on the way home after a 14 hour day, I have to admit... You do know I was only teasing?
And you shouldn't be making notes on the tube, you should be talking to the other passengers!
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Post by mallardo on Jun 10, 2017 17:17:57 GMT
Saw the matinee today and couldn't have loved it more. Life captured, reflected, enhanced and illuminated. I was laughing out loud at one moment and gulping back tears in the next. Wonderful cast and production and a superb script from Lee Hall. For those on the fence about this do yourself a favour and go see it. Unreservedly recommended.
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Post by japhun on Jun 22, 2017 14:11:42 GMT
Watching tonight! Can't wait!
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Post by Marwood on Jun 24, 2017 20:59:17 GMT
Saw this tonight and enjoyed it, nothing staggering but it was a pleasant surprise (I have ignored the previous comments about it on here until now and used a credit I had for Salome in conjunction with Friday Rush to get a front row seat as there is absolutely nothing on at the NT at the moment that I could either get a ticket for or want to see) - I have seen plenty of Scottish Tv & films over the years so had no problems understanding the lines, but the fact there were so many characters played by the six actresses did mean I lost track of who was, er, doing what to whom at times. Nicely acted (and sung) but surprised something like this got a West End transfer.
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Post by Deleted on Jun 24, 2017 21:18:54 GMT
I'd say that the West End is a more natural home than the NT for a populist show like this although, ironically, it needed a limited NT run to establish it sufficiently in London to draw a big enough audience to survive in a West End theatre.
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Post by daniel on Jun 29, 2017 1:30:33 GMT
Not wanting the jump the gun or be over-dramatic, but from looking online it appears that the Upper Circle has been taken off sale for the entire run, and there's no premium seats until the end of July. Shed loads of availability...I do hope it makes it to the end of its run, it's such a brilliant show.
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Post by Deleted on Jun 30, 2017 7:43:27 GMT
Not wanting the jump the gun or be over-dramatic, but from looking online it appears that the Upper Circle has been taken off sale for the entire run, and there's no premium seats until the end of July. Shed loads of availability...I do hope it makes it to the end of its run, it's such a brilliant show. Yes sadly a friend who works FOH told me it wasn't really selling, which is a great shame. I really hope it makes it to the end of the run (not least so I stand a chance of bloody seeing it)
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Post by fossil on Jun 30, 2017 16:35:48 GMT
Just noticed you can book Friday Rush tickets for this on the NT web site - row A stalls.
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1,936 posts
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Post by wickedgrin on Jul 2, 2017 13:21:59 GMT
Caught this the other evening thanks to a £20 Today Tix Rush Ticket.
It wasn't especially my cup of tea...not because I was shocked (although I think I was supposed to be) but that I felt I had seen it all before (and better) - Once A Catholic by Mary O'Malley back in the late 70's. John Godber's Bouncers and Teechers and more recently Spring Awakening.
The audience reaction around me was very diverse with people in front of me and to the side sat in stony silence and people behind laughing heartily throughout.
I could not fault the splendid performances and the superb singing of the cast though.
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Post by Deleted on Jul 8, 2017 12:21:18 GMT
Does anyone know if I book the seats on stage for this, am I liable to get dragged into audience participation?
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Post by Marwood on Jul 8, 2017 12:33:14 GMT
No, they won't go anywhere near you.
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Post by wickedgrin on Jul 8, 2017 15:23:58 GMT
There is no audience participation.
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Post by theatremadness on Jul 15, 2017 17:40:17 GMT
Saw the matinee this afternoon and absolutely bloody LOVED it in a way that I really had no idea that I would, as did my friend who I went with. Both of us left the theatre quite speechless at the impact that 1hr 45 had on us. Just flew by and I was sad to see it end. Brilliant choices of music to set the background of these girls' lives played by an equally brilliant group of ladies but those 6 central performances are breathtaking. What insanely talented young ladies they were - I was completely drawn in by each and every one of them and I was gladly taken on a non-stop roller coaster of emotions from beginning to end as I just sat back and let the play engulf me. Their acting as a group was sensational, as was their more solo moments. Fantastic characterisation of all the multitude of characters they each played and whilst the explicit level of language and conversation can sometimes be hard to sit through, I believe there were some really outstanding episodic moments that had quite a lot to say for themselves far beyond just the words they were saying. A lot of the humour was definitely my sense of humour, the foul language is definitely no cause of offence to me and the audience response was fantastic, with a partial standing ovation at the end.
I completely understand comparisons to Spring Awaking with their microphones and stands and a group of young individuals finding out about life and love, about what they do know, what they don't know and what they wish they had been taught. Coming to terms with themselves, figuring out who they are, what they are and making no apologies for it. A real part of society presented with no judgement, unless you choose to do so. But these girls' lives are shaped by more than what you see on stage and to judge them by what is presented purely in that 1hr 45mins does them a severe injustice. You can 'blame' the girls themselves for behaving as they do if you want, but to me that seems to me like a very lazy get-out clause for not liking what you see and hear. There are reasons behind everything, that can be deciphered in many different ways if you so wish. Some of these girls are clearly very troubled and would be done some justice not to be dismissed by society but helped, if it were possible. How I don't know, but to me, that would be more conducive than dismissing them entirely.
I sometimes get bored with the very over-used directorial device of "less is more" - an almost bare stage, lots of miming, using every day objects to create scenes/sets/props etc, but these ladies absolutely made it work. A real fantastic piece of storytelling that I am so happy to have caught. Hugely recommended - but NOT for the faint-hearted!
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Post by Phantom of London on Jul 15, 2017 22:15:57 GMT
Saw this tonight and didn't love it as much as when I saw it in Brighton and the National.
Just Googled Quentin Letts review and it go 2 Stars. With the pull quote 'Too Desperate To Shock'.mso wow Quentin Letts doesn't like anything if you take the lords name in vein.
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Post by Deleted on Jul 16, 2017 10:22:11 GMT
I was at the matinee also and plumped for the on stage seating. It was a pleasant evening out and on the whole I did enjoy it, however I didn't quite understand a lot of the "jokes?" There were lots of parts where there was muted tittering coming from the audience and I felt that a tad confusing. I got the impression it was trying a bit too hard to be funny in places, and it definitely wasn't as shocking as I expected it to be.
I can understand why some people find this offensive, perhaps with the links to a Catholic Church and the promiscuity of the girls. But in comparison to Book of Mormon, which is hugely popular, this is fairly pedestrian. Chelle's sister/aunt story was brilliantly hilarious, plus the stories of Fionulla and Kay were touching, as was Orla's.
A nice afternoon out but at 1 hour and 45 minutes I really could've done with a comfort break!
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Post by Deleted on Jul 31, 2017 8:09:11 GMT
TodayTix has a 24 hour offer of £15 seats for "any performance this month", luckily they mean till the end of August, not just for the remaining day of July! Just had a look and was offered row D stalls for £15. Referral codes such as SEZCE (many others available - see the thread in general chat) will get you a further £10 off.
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Post by n1david on Sept 2, 2019 16:15:51 GMT
I see that there is a film version of this showing at the London Film Festival, called just "Our Ladies". Can't find out much about it online, but the synopsis reads like it's a new adaptation of the original novel rather than a film based on Lee Hall's play.
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