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Post by dip on Jan 6, 2022 12:09:24 GMT
Just picked up a pair for the Friday night - very excited
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290 posts
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Post by southstreet on Jan 6, 2022 12:16:39 GMT
Yay, I had a ticket to the previous closing night and just got myself one for the new one as well. I love their cheap 'restricted view' tickets that really aren't restricted, at least not for this production.
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Post by fiyero on Jan 6, 2022 13:06:32 GMT
Yay, I had a ticket to the previous closing night and just got myself one for the new one as well. I love their cheap 'restricted view' tickets that really aren't restricted, at least not for this production. I'm hoping to go on the Friday evening. Do you have a recommendation out of the cheap seats? I found one that looked good on Seatplan but the photo doesn't make sense with the number of the seat in front!
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Post by southstreet on Jan 6, 2022 13:59:31 GMT
I got C26, which is 25 quid and the view is perfect from there, didn't miss anything.
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Post by fiyero on Jan 6, 2022 14:19:44 GMT
I got C26, which is 25 quid and the view is perfect from there, didn't miss anything. Thanks. That one had gone as have most of the seats! I've gone for D20 in the circle which looks like it has a pole but extra legroom due to it! Excited, I saw the Novello production twice including an emotional closing night
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Post by zahidf on Jan 6, 2022 14:41:52 GMT
Was very good last night. Seemed generally full with a few empty seats here and there
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Post by Forrest on Jan 6, 2022 16:08:50 GMT
I saw this on 1 January - on a last minute ticket, as a replacement for a cancelled production - and loved it so much that I have re-booked today to go again, with two friends. I'm not a musicals person, really, but this has Rupert Goold's playfulness all over it, and it's beautiful, imaginative and just so lovely. I loved both the stage design and the costumes (I'd wear most of that!). It is also bursting at the seams with talent, with Laurie Kynaston and Stuart Thompson as definite standouts for me. The friend who came with me loved it too, although he's not into theatre at all (this was his first visit in 3 years of living in London, and we're going to see "Operation Mincemeat" next, so I guess the Almeida did something right there!). Thoroughly recommended if anyone has any doubts. Do book for this if you can (there are still some seats available for the extended week!).
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Post by Dan213 on Jan 6, 2022 18:10:16 GMT
Saw this last night and I was really impressed. I'll start by saying that the 'restricted view' seats are great (I sat right at the back of the circle in row E and I didn't miss anything)
This was the second time that I've seen Spring Awakening, the first. being an amateur production in Sheffield a few years back when I was studying there. The casting, I felt was great, especially for Moritz, Wendla and Melchior. All brought their own to. the production and I loved the fact that the cast were all using their own accents for this. I also really liked the portrayal of the adults in this and how well each character was differentiated from the next, with many productions often just altering an item of clothing. Staging wise I thought this was really interesting, especially the use of the mirrors and the projections.
I was a bit unsure about the new version of Totally F*****d. It's one of my favourite pieces in the show and was full of energy but the ending left me a bit flat. I've always seen this as the 'rock concert' number and it was a shame the very end of it didn't feel this way for me. I'm sure other people would love this alternative ending though.
The new song, 'There Once Was a Pirate' I thought was nice but I can understand why it was cut from the original production as I wasn't quite sure how it fitted in with the story. Nonetheless, it was performed well by the cast and it was nice to see something you don't see in other productions.
Overall I thought this was a great production that has been really well imagined and is very original in its portrayal. I'd love to see this do a short run in a smaller west end theatre.
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Post by Mark on Jan 7, 2022 16:36:23 GMT
The extension has sold out. Lets hope this won't be the end for this production.
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Post by crowblack on Jan 7, 2022 16:38:31 GMT
The extension has sold out. Lets hope this won't be the end for this production. There's no mention of a streamed version (which I'm still hoping for!) so it feels like there may be a transfer.
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Post by dip on Jan 10, 2022 14:57:22 GMT
Got two front row tickets for sale for this - Wednesday 19th at 2:30 Face value
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Post by danb on Jan 10, 2022 16:17:00 GMT
What is the face value pls?
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18,893 posts
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Post by BurlyBeaR on Jan 10, 2022 16:34:59 GMT
Got two front row tickets for sale for this - Wednesday 19th at 2:30 Face value What is the face value pls? Ticket sales would normally be posted in the Noticeboard and conducted by PM. Can you do this privately please.
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Post by danb on Jan 10, 2022 16:41:08 GMT
Jeez…Cranky Bear more like 😂
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Post by lolli on Jan 11, 2022 13:13:44 GMT
I’ve just returned two tickets for tonight if anyone is trying
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Post by leanne23 on Jan 11, 2022 16:13:50 GMT
I’ve just returned two tickets for tonight if anyone is trying Did you get a refund on your returned ticket? I have a ticket for Saturday Matinee that I can no longer use and wondered if I could get my measly tenner back!
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Post by Forrest on Jan 13, 2022 7:28:22 GMT
Did you get a refund on your returned ticket? I have a ticket for Saturday Matinee that I can no longer use and wondered if I could get my measly tenner back! You can! They will automatically issue you with credit, but will advise that if you wish a refund instead you need to call the box office and they will sort it out.
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Post by wingfield on Jan 13, 2022 19:45:00 GMT
Just noticed a new (?) performance on Tuesday 25th Jan, 7:30pm which is onsale on the website with good availability for those still looking for tickets!
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Post by amp09 on Jan 14, 2022 0:23:40 GMT
Adored this tonight. I was very lucky to grab a £10 ticket 2 days ago when some returns must’ve been put back on sale. I was amazed at how good my view was for such a cheap price.
Had a show stop due to Stuart Thompson taking ill towards the end of Act 1 (hope he’s okay), so was a rather late finish at 22:30.
Kit (Otto) covered Moritz, Taylor (Frank) covered Otto and Thomas (swing) covered Frank. Luckily it was a captioned performance so was able to quickly tell who’s swapped to which part.
Annoyingly one of the band had a constant cough that was very audible in the circle and probably in the stalls too.
Laurie Kynaston was a stand out. Keeping everything crossed for a transfer or at least the chance to go again before it closes. Couldn’t fault it, 5 stars from me.
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Post by pochard on Jan 14, 2022 10:40:25 GMT
Adored this tonight. I was very lucky to grab a £10 ticket 2 days ago when some returns must’ve been put back on sale. I was amazed at how good my view was for such a cheap price. Had a show stop due to Stuart Thompson taking ill towards the end of Act 1 (hope he’s okay), so was a rather late finish at 22:30. Kit (Otto) covered Moritz, Taylor (Frank) covered Otto and Thomas (swing) covered Frank. Luckily it was a captioned performance so was able to quickly tell who’s swapped to which part. Annoyingly one of the band had a constant cough that was very audible in the circle and probably in the stalls too. Laurie Kynaston was a stand out. Keeping everything crossed for a transfer or at least the chance to go again before it closes. Couldn’t fault it, 5 stars from me. Totally agree with this. I had never seen Spring Awakening before, wasn't entirely sure it would be "my thing" (which is generally Sondheim on a loop) and my daughter confessed she was slightly dreading watching it with her mum due to the themes involved but we emerged unscathed and I loved it. I also thought Laurie Kynaston was fantastic, and both D and I agreed that Stuart Thompson had looked quite peaky, but we thought that was just the role. Didn't realise it was a band member coughing, could definitely hear from the stalls. There was an audience Q&A afterwards, but late end and a school night meant we couldn't stay, which was a real shame - would have liked to learn more about it.
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Post by Mark on Jan 14, 2022 15:55:12 GMT
Some additional performance now on sale - 25th Jan evening (already very limited) and 26th Jan Matinee (good availability).
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Post by amp09 on Jan 14, 2022 17:01:39 GMT
Adored this tonight. I was very lucky to grab a £10 ticket 2 days ago when some returns must’ve been put back on sale. I was amazed at how good my view was for such a cheap price. Had a show stop due to Stuart Thompson taking ill towards the end of Act 1 (hope he’s okay), so was a rather late finish at 22:30. Kit (Otto) covered Moritz, Taylor (Frank) covered Otto and Thomas (swing) covered Frank. Luckily it was a captioned performance so was able to quickly tell who’s swapped to which part. Annoyingly one of the band had a constant cough that was very audible in the circle and probably in the stalls too. Laurie Kynaston was a stand out. Keeping everything crossed for a transfer or at least the chance to go again before it closes. Couldn’t fault it, 5 stars from me. Totally agree with this. I had never seen Spring Awakening before, wasn't entirely sure it would be "my thing" (which is generally Sondheim on a loop) and my daughter confessed she was slightly dreading watching it with her mum due to the themes involved but we emerged unscathed and I loved it. I also thought Laurie Kynaston was fantastic, and both D and I agreed that Stuart Thompson had looked quite peaky, but we thought that was just the role. Didn't realise it was a band member coughing, could definitely hear from the stalls. There was an audience Q&A afterwards, but late end and a school night meant we couldn't stay, which was a real shame - would have liked to learn more about it. Oh really? That wasn’t very well advertised. Would’ve liked to have stayed for it as my train home wasn’t until 2330 so was just mulling around the station for an hour and could’ve stayed.
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Post by ThereWillBeSun on Jan 15, 2022 23:23:48 GMT
I was there this evening (it was originally meant to be the final performance before they extended by a week!) WOW. Blown away. Especially by the lighting/set design. Really hope this gets picked up! Nathan Armarkwei Laryea was the main stand out for me (Hanschen) found them so funny. I absolutely loved Totally f***ed - the choreography was absolute genius and the atmosphere incredible. Rupert Goold was in this evening and he was visibly moved. What a way to kick off my theatre going of 2022! If you CAN get a ticket - do.
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Post by stevejohnson678 on Jan 16, 2022 9:38:26 GMT
I was there this evening (it was originally meant to be the final performance before they extended by a week!) Next Saturday is what should have been the last night. It extended from 22 January to 29. Can't wait to see it in its final week!
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Post by ThereWillBeSun on Jan 16, 2022 14:19:58 GMT
I was there this evening (it was originally meant to be the final performance before they extended by a week!) Next Saturday is what should have been the last night. It extended from 22 January to 29. Can't wait to see it in its final week! I clearly have no concept of time! Glad you get to see it :-)
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Post by andrew on Jan 16, 2022 19:25:33 GMT
I really enjoyed myself. I saw this on tour whenever that was (a decade ago??) and had a good time but wasn’t overwhelmed at the time.
Some negatives.
I didn’t much care for “the bitch of living” last night which ended up feeling a bit corny, and didn’t feel as authentic or as tight as it could have. Watching a clip from the broadway production, I feel that was a better interpretation. The sort of ultra macho stomping around and being led everywhere by their penises is an angle I understand the origin of, but particularly as an early-ish number really put me off. Compare that to the opening of the female cast members singing “Mama who bore me” which was excellent, more subtle, more real.
I totally agree about the negative reaction to the changed “Bitch of living” ending, which is quite deflating after what’s obviously a very exciting song. I think this COULD be effective, but only if you stage it so that the audience cannot applaud. The point of having it peter out (that their shouting and rebelling makes absolutely no difference to their predicament and the outcome, the adults are in charge, children have no respect or power in this society, I’m guessing) is sort of lost when you then have the audience clapping and screaming for two minutes afterwards. Imagine if the next scene suddenly slammed in, that disappointing and unfulfilled ending would linger with you and underline the hopelessness of their situation.
I also ended up feeling quite strongly about the scene later in act 2 between Ernst and Hanschen. I get that it’s sort of alluded to in “the bitch of living” but having their romance blossom at this late stage felt a bit unearned, and a little bit like paying lip service to the concept of homosexuality in teenagers. I’m not sure how that scene served the story, and whilst I would have been keen to see these two actors play out the issues of unknown and confusing feelings towards your own sex in a time when that was presumably verboten, I felt like it needed a bit more development to actually mean anything. Even a quick dialogue scene of sexual tension or something earlier on.
But my god, you forget how beautiful some of that music is, how wonderful those songs play around the dialogue and the action, and Goold has weaved it very well other than the bits above. The cast is outstanding, the three leads, the parents… Laurie Kynaston is an absolute star. The natural and varying accents of the cast were such a treat to listen to in comparison with the middle class south eastern blandness we normally get subjected to. The set and lighting was fun, well designed and utilised. a brilliant production of a good show. I thought the costumes were a bit much, I don’t know why but I got real Shiz University vibes which I don’t think was the aim, but that’s just my taste.
The intimacy of the Almeida really helps, I wonder how this will play when it transfers somewhere larger and more impersonal. Definitely glad I saw it as it is now, and everyone should be getting a ticket to this.
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Post by stevemar on Jan 17, 2022 22:47:50 GMT
Saw this on Saturday night (same night as Burgundy from above). The storyline is surprisingly weak and seems a bit cliched now (the worst case scenario at each turn). I’ve never seen this before, but had tried to listen to the soundtrack before, which didn’t make much impression without knowledge of the storyline or context.
But, wow, what a production - energy, hugely talented cast and really an ensemble piece, wonderful lighting and direction. Rupert Goold really knows how to get the best from the actors, a privilege to watch this from the front row. Personally, the songs aren’t instantly memorable for me, but make such an impact in this production. An easy 5 stars and booked again.
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Post by ThereWillBeSun on Jan 18, 2022 0:33:32 GMT
^ andrew the part about the costumes were very SHIZ! I'd only ever seen it once at college where a board member was a part of the cast ;-) - but didn't really appreciate the story / or was invested. It's always different seeing shows in a professional setting; I really appreciate how the ensemble worked together. Having seen Cabaret in November (last show I saw!) ... bearing in mind I had never watched the film/stage show...I actually preferred Spring Awakening. Glad you had an awesome time stevemar! On a side note : they do lovely coffee at the Almeida!
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Post by happytobehere on Jan 19, 2022 12:06:30 GMT
Slightly off topic I guess but does anyone know of anything nearby the Almeida I can go to and kill time before the show starts? Even just a small park would work. I’m thinking of getting there quite early to avoid being on the tube during rush hour.
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Post by alex90 on Jan 19, 2022 12:35:29 GMT
Quite a few tickets for the matinee today have popped up on the Almeida website for anyone looking to catch this before it closes.
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