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Post by theatremad on Mar 3, 2019 13:59:39 GMT
Found this lurking on the RSC website with booking opening on Tuesday 5th March for all levels.
Looks like its possibly the first of this year's Mischief Festivals, but literally no information on it apart from dates and that there are captioned performances planned.
Googled it and found nothing except a reference on an agency website.
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Post by learfan on Mar 3, 2019 14:03:52 GMT
I noticed that too, wonder if its been prematurely loaded?
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Post by theatremad on Mar 3, 2019 14:27:42 GMT
I noticed that too, wonder if its been prematurely loaded? Probably has been. I've now edited the thread title as I optimistically put 2020 instead of 2019 |
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Post by theatremad on Mar 3, 2019 17:51:56 GMT
Would appear is a new play with Robin French involved.
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Post by theatremad on Mar 4, 2019 18:11:04 GMT
Currently taken off the site again
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Post by learfan on Mar 5, 2019 12:06:50 GMT
Now back on as the "homepage" actually sounds interesting.
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Post by Deleted on Mar 9, 2019 9:00:53 GMT
www.rsc.org.uk/crooked-dancesThey seem to have dropped the "Mischief Festival" name which I always thought was a bit of a strange name for their new writing season. Also potential for confusion with "Mischief Theatre" which may be why they've dropped it!
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Post by learfan on Mar 9, 2019 11:40:37 GMT
www.rsc.org.uk/crooked-dancesThey seem to have dropped the "Mischief Festival" name which I always thought was a bit of a strange name for their new writing season. Also potential for confusion with "Mischief Theatre" which may be why they've dropped it! Yes, i thought it stupid. Hopefully there will be more productions in this new space. |
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Post by lynette on Jun 28, 2019 22:08:14 GMT
Saw this tonight. Nowhere near as awful as some of the reviews would have it. Full length play with interval which for starters is something for new writing and v well acted, nicely worked out set, good lighting and ‘effects’. I was fully absorbed in the story of the young journo and her photographer colleague going to interview a retiring concert pianist. And I loved the telling of the Erik Satie story within the play. I’ve no idea how much of it is well known or true or whatever but it was well done. Possibly a few clunky chunks of writing and possibly a blue pencil or some contractions required here and there but an enjoyable evening and the sort of thing they do so well at the RSC, that is support writers and creatives and I wish they could afford to do more of it.
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