|
Post by Deleted on Oct 24, 2020 12:18:51 GMT
I heard it's Helena Bonham Carter and they're using CGI to make her younger. Soooo much cheaper than using someone (age) appropriate.... Oh its not a cost thing, its because they want someone who needs gargantuan amounts of autotune to sing the role.
|
|
2,015 posts
|
Post by distantcousin on Oct 24, 2020 19:28:55 GMT
A septegenerian Norma Desmond....good lord.
|
|
211 posts
|
Post by justsaying113 on Oct 27, 2020 8:43:55 GMT
Glenn Close is no longer a box-office draw. So, while theatre folk will know her for this role (I thought she was awful - purely a personal view!) in cinema terms I very much doubt she'd make money for the studio/producers. What this needs is a director like Scorsese.
|
|
55 posts
|
Post by westlondon on Oct 27, 2020 8:56:16 GMT
A septegenerian Norma Desmond....good lord. “Nothing’s wrong with being eighty....unless you’re actin’ fifty.”
|
|
|
Post by Deleted on Oct 27, 2020 14:59:29 GMT
A septegenerian Norma Desmond....good lord. But it works, I think. Whilst it’ll still be period piece, I’m not sure Norma needs to be 50 and on the scrap heap - I actually think it would make it harder for modern audiences to relate to her if she were. I think Glenn could easily pass for younger and they can age Joe up a bit (the whole struggling writer in his mid 30s still works). I’m still hoping Jake Gylenhaal gets to play Joe. Then cast a younger Betty (creating a decent age gap between her and Joe) and I think that would add an extra layer of commentary too.
|
|
2,422 posts
|
Post by robertb213 on Oct 27, 2020 15:34:10 GMT
I agree. An older Norma totally works for me. Having someone washed-up and forgotten about and crazy in their 40s or 50s doesn't have the same weight. Actresses like Julia Roberts, Sandra Bullock, Nicole Kidman etc who are in that age bracket haven't been forgotten and are still considered relevant and popular, so why would the same not apply for Norma?
I think 60s at the youngest, which Glenn can pass for. And I know her voice is very divisive but her performance completely blew me away. I'd rather have a layered performance from a skilled actress with rougher vocals, than a two-dimensional performance from someone who can belt brashly but has no vulnerability at all.
|
|
1,483 posts
|
Post by steve10086 on Oct 27, 2020 19:16:07 GMT
I agree. An older Norma totally works for me. Having someone washed-up and forgotten about and crazy in their 40s or 50s doesn't have the same weight. Actresses like Julia Roberts, Sandra Bullock, Nicole Kidman etc who are in that age bracket haven't been forgotten and are still considered relevant and popular, so why would the same not apply for Norma? I think 60s at the youngest, which Glenn can pass for. And I know her voice is very divisive but her performance completely blew me away. I'd rather have a layered performance from a skilled actress with rougher vocals, than a two-dimensional performance from someone who can belt brashly but has no vulnerability at all. She’s not been cast aside (just) because of her age though. She’s forgotten and irrelevant because movies have moved on and her silent era is over. I do think Close is the only choice for the movie though!
|
|
|
Post by Deleted on Oct 27, 2020 19:29:06 GMT
I agree. An older Norma totally works for me. Having someone washed-up and forgotten about and crazy in their 40s or 50s doesn't have the same weight. Actresses like Julia Roberts, Sandra Bullock, Nicole Kidman etc who are in that age bracket haven't been forgotten and are still considered relevant and popular, so why would the same not apply for Norma? I think 60s at the youngest, which Glenn can pass for. And I know her voice is very divisive but her performance completely blew me away. I'd rather have a layered performance from a skilled actress with rougher vocals, than a two-dimensional performance from someone who can belt brashly but has no vulnerability at all. Totally agree. Although it's interesting that of the three names you've mentioned (Julia, Sandra and Nicole) they have had struggles in Hollywood as they've aged too - all three have had to rely on television/streaming roles rather than traditional cinematic releases (Sandra less so)... which is actually something that wasn't available to poor Norma. But Glenn in Sunset at the ENO remains one of my all time favourite trips to the theatre. To see Glenn dig deeper into the character and get to explore just how frail and vulnerable Norma is on film is going to be all kinds of brilliant. Whilst I accept some weren't happy with her vocals, she did very well - whereas Patti can sing it, Glenn can act it and whilst I know this is a musical, I think with Glenn in the role it becomes more a play that just happens to be sung through. She acted the hell out of it and her vocals complemented her performance almost perfectly. Anyway, just make the damn movie already and let Glenn win her damn Oscar. There'd be all kinds of poetic justice in her getting one for Norma.
|
|
|
Post by Deleted on Oct 27, 2020 19:37:10 GMT
I agree. An older Norma totally works for me. Having someone washed-up and forgotten about and crazy in their 40s or 50s doesn't have the same weight. Actresses like Julia Roberts, Sandra Bullock, Nicole Kidman etc who are in that age bracket haven't been forgotten and are still considered relevant and popular, so why would the same not apply for Norma? I think 60s at the youngest, which Glenn can pass for. And I know her voice is very divisive but her performance completely blew me away. I'd rather have a layered performance from a skilled actress with rougher vocals, than a two-dimensional performance from someone who can belt brashly but has no vulnerability at all. She’s not been cast aside (just) because of her age though. She’s forgotten and irrelevant because movies have moved on and her silent era is over. I do think Close is the only choice for the movie though! Which of course is perfectly true, and many actors lost their jobs when the talkies came in. Plus from what I can remember, isn't it alluded to that Norma lost her career because she didn't want to do talkies? Maybe that's why she goes crazy - that one decision has tormented her for decades. I'm starting to feel like I need a prequel series now
|
|
2,422 posts
|
Post by robertb213 on Oct 27, 2020 20:10:24 GMT
Yes I've always assumed that her pride got in the way and she didn't see why she should change, so the world changed instead and she was forgotten about. I think it was her own decision but she ended up paying the price for it.
|
|
|
Post by Deleted on Oct 29, 2020 9:11:12 GMT
I hesitate to wade in as everyone knows my views (not just older but ridiculously too old and her singing voice is not just weak it simply cannot cope with this score). But I adore Sunset so can't resist sorry!
With Glenn of course people's opinions are a matter of taste. But why is there a lack of ambition and expectation for this? I hear a lot of "she may not be the best singer but her acting is incredible so she is the one." Well, how about someone that can do both! There is literally the entire world of actresses. I refuse to believe that there isn't someone who can act the hell out of it AND sing the hell out of it and completely blow us away. This is what the aspiration should be! Not accepting someone as she's an amazing actress and a few people had a quasi religious experience at the ENO.
Sadly I am not a film buff so I have no idea who. Looking back at Nunn's Normas (and I am not in a million years suggesting any of these as they are ALL too old), EP kinda had the opposite problem, she nailed every note but the acting was a bit camp. Patti for me utterly sang and acted. I mean she is so bonkers anyway she just embodies this character. I do know she is another one that people have strong reactions to though. So take Betty Buckley - her voice was phenomenal and her acting of Norma was mind blowing. Someone like that would be so so good. And it bothers me that people just accept Glenn is good enough. Sunset is one of the most epic musicals of all time and we should be WOWED. The film should be epic. There should also be singles recordings of Norma's two main songs that you can listen to when not watching the film over and over again and be blown away; these are ALW's finest and the music is the star. That isn't Glenn.
One more thought - Norma IS meant to be young, That's the point. It is the new technology that cut short the careers of the silent stars, not their age, and part of the tragedy was that so many were so young. They became bonkers in early middle age.
Anyway, between the endless delays, coronavirus and how badly ALW was stung by Cats (I think he's realised he can never have the artistic control he wants with movies) I can't see this being made. If it does though, Glenn seems to have cemented herself to it so strongly (is she a co-producer) I am sure it will be her. Getting modern stage musicals to successful films is hard, especially for more or less sung through ones. Really for me it is only Evita so far that has worked. And there are so many complex issues with Sunset that it may be best if it remains just a stage musical.
|
|
|
Post by danb on Oct 29, 2020 10:01:15 GMT
Catherine Zeta Jones may well be the next best bet if it drags on much longer. I certainly agree that we should aim high. As with the Wicked discussion isn’t there just a good pro-shot version of Glenn on stage that would satisfy people so that the movie can fly?
|
|
|
Post by Deleted on Oct 29, 2020 10:13:55 GMT
Catherine Zeta Jones may well be the next best bet if it drags on much longer. I certainly agree that we should aim high. As with the Wicked discussion isn’t thrre just a good pro-shot version of Glenn on stage that would satisfy people so that the movie can fly? In my limited film knowledge, CZJ was the one person that sprang to mind! But there must be so many people.... Agree! They must have filmed the ENO version. Am convinced a pro shot stage version is the best thing for a sung through musical (the Miss Saigon one was brilliant). The feature film just has so many problems.
|
|
|
Post by Deleted on Oct 29, 2020 12:02:32 GMT
At the end of the day, its about the box office. It needs to make money and it wouldnt go ahead without a big name attached before the studio will give the green light.
Musicals are a hard enough sell as it is. I cant think of another person in Hollywood who can lead it.
Also she has some name recognition to the part before.
I'm not the biggest fan of her voice either but i think she'll be great for the film. It will be interesting to see how small she'll play it, to make it appear big on the screen. If you know what i mean.
|
|
|
Post by FairyGodmother on Oct 29, 2020 12:29:41 GMT
I think it will be her (if/when it happens) but surely there are some people in the right age bracket? All the ones in their 20s and 30s when the big musicals came out in the 80s.
All I can think of off the top of my head is Ruthie Henshall and Bonnie Langford (well, and Sarah Brightman, but wrong vocal range), but there must be others.
|
|
|
Post by Deleted on Oct 29, 2020 13:59:32 GMT
At the end of the day, its about the box office. It needs to make money and it wouldnt go ahead without a big name attached before the studio will give the green light. This. If Hollywood had an a-list actress that could sing as well as she could act, we’d all know about it. Personally I think Glenn has a wonderful voice that really suits the part and frankly, if Madonna can play Eva then Glenn can do Norma. I quite like the suggestion of Catherine Zeta Jones, but dare I say it - she’s too young! I really feel like Norma must be older than she was in the original for it to really land in the here and now. One more thought - Norma IS meant to be young, That's the point. It is the new technology that cut short the careers of the silent stars, not their age, and part of the tragedy was that so many were so young. They became bonkers in early middle age. Can’t agree I’m afraid. Norma is supposed to be old. In context, 50 was considered old a few decades ago. In the context of the era Sunset is set in, a woman in her 50s was expected to have raised her children, seen them all married and settled down, play the good housewife and be the doting grandmother. One of my favourite lines from Sunset is “Norma Desmond? I thought she was dead!” - I’ve always assumed they just thought she faded away because of old age, not because of her refusal to move to talkies. Obviously we look at age 50 nowadays much differently which is why I feel Norma has to now be older. It’s also possible Norma was only ever aged 50 because Hollywood simply wouldn’t have had an actress capable of bringing in a big box office any older than that. Making Norma older also drives home the point that she has dedicated her entire life to cinema, making her ending more emotional and final. It helps drive home the point of ‘the old’ and ‘the new’ much better too.
|
|
|
Post by Deleted on Oct 29, 2020 14:34:33 GMT
At the end of the day, its about the box office. It needs to make money and it wouldnt go ahead without a big name attached before the studio will give the green light. You are totally right of course. Moving away from Sunset I think this is a huge problem with movie musicals in general. The people who could do it justice are not Hollywood names so they end up picking names whose métier is not MT. Russell Crowe anyone?! There are so many conflicts of interest that the creative perfection of the piece itself sadly gets pushed down the list.
|
|
|
Post by Deleted on Oct 29, 2020 14:38:42 GMT
At the end of the day, its about the box office. It needs to make money and it wouldnt go ahead without a big name attached before the studio will give the green light. This. If Hollywood had an a-list actress that could sing as well as she could act, we’d all know about it. I take your points Kevin; but then this is truly a sorry state of affairs. I mean if Hollywood can't even provide a double threat, God help us if a triple one is ever needed*. I think it's a sign however that movie musicals really aren't remotely where Hollywood is at. For whatever reason. Otherwise we WOULD know about these people. *Edit - I am again reminded of CZJ actually as a potential triple thread. I guess as Chicago really DID work. (The film itself was heavily rewritten with about half the songs replaced with dialogue and the songs being performed in a jazz club though, so a completely different beast to Phantom, Les Mis, Cats, Sunset etc....)
|
|
2,408 posts
|
Post by theatreian on Oct 29, 2020 14:50:11 GMT
Ms Streisand is obviously one double threat but a tad too old. If this were 10 years ago she would have been great. The only other ones I can think of are Bette Midler and Cher. Neither of these are really suited to it though. There is always Imelda Staunton too. I am sure she would have a good go at it!
|
|
5,156 posts
|
Post by TallPaul on Oct 29, 2020 15:06:52 GMT
Renee Zellweger, anyone? Same age as CZJ, and although several years beyond her BO peak, she has grossed not far off £2 billion as a leading lady.
|
|
|
Post by Deleted on Oct 29, 2020 15:18:11 GMT
Renee Zellweger, anyone? Same age as CZJ, and although several years beyond her BO peak, she has grossed not far off £2 billion as a leading lady. Yup, good call. And if not her, someone similar. There IS someone out there who can tick all the boxes, I am convinced of it!
|
|
|
Post by Deleted on Oct 29, 2020 15:19:16 GMT
Ms Streisand is obviously one double threat but a tad too old. If this were 10 years ago she would have been great. The only other ones I can think of are Bette Midler and Cher. Neither of these are really suited to it though. There is always Imelda Staunton too. I am sure she would have a good go at it! Had to google it - Babs 5 years older then Glenn apparently.
|
|
2,422 posts
|
Post by robertb213 on Oct 29, 2020 15:59:40 GMT
It's definitely a sorry state of affairs that there isn't a decent list of leading screen ladies who can also carry a tune. Musical movies definitely deserve better. For every success (Chicago, Hairspray, Moulin Rouge), there are significantly more failures. E.g Les Mis, while filmed very well, we can all think of dozens of performers who would've been better than Jackman, Crowe and Hathaway. But it's a business as others have said, and money has to be made.
Back to Norma, I can think of loads of women who would act the hell out of it, but no known singers. Even the almighty Meryl doesn't have the voice. Having said that, Norma does only have 4 songs (2 biggies, admittedly), it's not like it's Wicked or Dreamgirls levels of vocals.
|
|
|
Post by FairyGodmother on Oct 29, 2020 16:35:22 GMT
Judi Dench was originally cast as Grizabella wasn't she? And was in Cabaret, so presumably approaching a triple threat.
I don't know, perhaps Hollywood should go back down the route of dubbing. It has to sound better than auto tuning!
|
|
|
Post by Deleted on Oct 29, 2020 16:39:47 GMT
Judi Dench was originally cast as Grizabella wasn't she? And was in Cabaret, so presumably approaching a triple threat. I don't know, perhaps Hollywood should go back down the route of dubbing. It has to sound better than auto tuning! They dubbed Rebecca Ferguson in The Greatest Showman, so certainly aren’t against it!
|
|