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Post by Phantom of London on Jun 22, 2018 4:10:36 GMT
Not looking for what is the best out of the two, as the question is completely rhetorical.
So thinking what are the differences between the 2, whether it is show or structure, I can think of plenty, but going to hand it over to you first and see where we go?
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Post by Mark on Jun 22, 2018 4:42:13 GMT
Broadway shows start 7 minutes late. West End shows generally start on time. Broadway theatres have one entrance for all levels vs West End having different entrances for different sections. Broadway tickets are all one standard size, West End tickets vary according to agency/venue. Broadway audiences are generally more responsive and enthusiastic
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Post by Deleted on Jun 22, 2018 4:53:36 GMT
Foyer spaces on Broadway are generally more limited, with usually none whatsoever for the upper levels: this usually causes the audience needing to queue on the street before entering the auditorium. Branded, refillable drinks cups are offered by many theatres in accordance with the show. Free Playbills are handed to all audience members with cast and show information. Photo brochures are not always updated on Broadway, even after a big cast change. Shows open and close routinely per annum, in accordance with seasons, unlike the WE.
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Post by mistressjojo on Jun 22, 2018 5:09:24 GMT
Broadway you get free generic Playbills with just an centre insert for that production. West End you pay for a programme that is (mostly) production specific.
In my experience Broadway audiences have more late comers being seated during the performance. West End theatres will have you wait till a scene change or sometimes even interval before seating you if you arrive late.
Broadway audiences also applaud an actor's entrances and during the performance. West End audiences usually only applaud at the end of the act. ( except for musicals - they are a law unto themselves!)
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Post by mallardo on Jun 22, 2018 6:38:24 GMT
Even with the exchange rate figured in, Broadway is MUCH more expensive.
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Post by Deleted on Jun 22, 2018 7:27:46 GMT
It's not uncommon for Broadway theatres to only have two levels of seats. It's fairly unusual for a West End theatre to have fewe than three, and you're more likely to see four.
Plays on Broadway largely seem to be either UK transfers or vehicles for movie stars. There is not a lot of inbetween. The West End does see the occasional movie star, but we also see much more variety in reasons for a play to be taking up space in London's glittering West End.
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Post by theatrelover123 on Jun 22, 2018 7:36:44 GMT
Different spellings
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Post by kathryn on Jun 22, 2018 7:40:30 GMT
The economic differences are huge - and fascinating. It seems like producers and investors have a lot more creative power and influence on broadway than they do over here.
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Post by Deleted on Jun 22, 2018 8:59:29 GMT
Broadway "theaters" tend to have three blocks of seats going left to right - even numbers on one side - uneven numbers on the other - & "100" numbered seats in the centre block. This can cause some confusion when people get e.g Row A 1 & 3 and think they are not sitting together but if you get seats numbered in the 100s you know youv'e got centre block tickets.
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Post by jamb0r on Jun 22, 2018 9:07:10 GMT
Broadway "theaters" tend to have three blocks of seats going left to right - even numbers on one side - uneven numbers on the other - & "100" numbered seats in the centre block. This can cause some confusion when people get e.g Row A 1 & 3 and think they are not sitting together but if you get seats numbered in the 100s you know youv'e got centre block tickets. This confused the hell out of me the first time I went to Broadway! Does anyone know if there is a logical reason that they do this rather than just having the numbers in sequential order? It just seems like its done to make things a challenge!
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Post by lynette on Jun 22, 2018 9:24:30 GMT
We do it with house numbers in a street don’t we? Can end up with two consecutive numbers being far apart opposite in the road. I used to love at 55 and 57 was on the other side, over a crossroads about 300 metres away. Don’t know what happened to 56. Prob missed the point of the post but just sharing...
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Post by Deleted on Jun 22, 2018 9:31:29 GMT
Stage doors are even more ridiculous in New York than they are for the megastar productions in London.
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Post by Deleted on Jun 22, 2018 9:33:42 GMT
Broadway "theaters" tend to have three blocks of seats going left to right - even numbers on one side - uneven numbers on the other - & "100" numbered seats in the centre block. Does anyone know if there is a logical reason that they do this rather than just having the numbers in sequential order? It just seems like its done to make things a challenge! I remember going to a regional theatre in Britain where the seats on one side were even and on the other side were odd and they were numbered outward from the centre aisle. It's probably to make it easier for staff and regulars to know where they're going, as in a theatre with different-length rows all numbered from 1 at one end the number of a mid-range seat doesn't tell you much about the best way to get to it. Did you now...
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Post by lynette on Jun 22, 2018 9:41:56 GMT
Well, yes and live there too! 😂
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Post by Deleted on Jun 22, 2018 9:56:09 GMT
The road I live on does odd numbers on one side and evens on the other, but because of the layout, there are more houses on the even side, so we have 1, 2, 3, 4, 5, 6, 8, 10, 12, and 14. And yet I have the gall to complain about how American house numbering makes no sense...
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Post by Phantom of London on Jun 22, 2018 15:19:13 GMT
Don’t know if anyone else has noticed this? On Broadway the seats are lower. Which means if you are tall like me your knees will be above your bum, which causes great uncomfort in the knees, especially in the mezzanine.
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Post by Deleted on Jun 22, 2018 15:31:31 GMT
There's generally more Americans on Broadway than in London's glitzy West End I find.
Whether or not that's a good thing depends on your view of Americans I suppose. Or how attached you are to the letter 'u' in words.
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Post by apubleed on Jun 22, 2018 17:21:47 GMT
The main difference between Broadway and the West End is that, at least in the case of musicals, Broadway is at the cutting edge of sophistication, innovation and artistic achievement. Whereas in comparison, the West End seems to correspond with low-brow shows that appeal to mass audiences. It's very interesting because people that aren't in theatre apply stereotypes to USA vs British culture and assume that the West End is more sophisticated, when it is the complete opposite.
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Post by jamb0r on Jun 22, 2018 18:03:30 GMT
The main difference between Broadway and the West End is that, at least in the case of musicals, Broadway is at the cutting edge of sophistication, innovation and artistic achievement I’m chuckling reading this in the year that shows known for their sophistication such as Spongebob Squarepants and Mean Girls topped the Tony nominations list.
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Post by Phantom of London on Jun 22, 2018 21:23:28 GMT
It's not uncommon for Broadway theatres to only have two levels of seats. It's fairly unusual for a West End theatre to have fewe than three, and you're more likely to see four. Plays on Broadway largely seem to be either UK transfers or vehicles for movie stars. There is not a lot of inbetween. The West End does see the occasional movie star, but we also see much more variety in reasons for a play to be taking up space in London's glittering West End. Just want to elaborate on your first point, by doing a West End - Broadway comparison on seating. West End - Broadway Stalls Orchestra Dress Circle Mezzanine Royal Circle Balcony Balcony No Broadway Theatre has a 4th level
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Post by Mr Snow on Jun 23, 2018 6:51:07 GMT
We do it with house numbers in a street don’t we? Can end up with two consecutive numbers being far apart opposite in the road. I used to love at 55 and 57 was on the other side, over a crossroads about 300 metres away. Don’t know what happened to 56. Prob missed the point of the post but just sharing... No distance at all. if it was true love! EDIT OOOPs already been spotted.
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Post by raider80 on Jun 23, 2018 14:46:47 GMT
Child labor laws aren't as strict on Broadway. There were a few times when a Billy or a Matilda would do both the matinee and evening performance and the last Annie revival had one full time Annie and then a standby. On Broadway both Billy Elliot and Matilda only had one set of ballet girls and classmates respectively. The Broadway children also tend to get paid better then their West End counterparts but that is mainly because the AEA minimum pay rate is noticeably higher at just above $2,000 a week.
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Post by apubleed on Jun 24, 2018 9:59:29 GMT
The main difference between Broadway and the West End is that, at least in the case of musicals, Broadway is at the cutting edge of sophistication, innovation and artistic achievement I’m chuckling reading this in the year that shows known for their sophistication such as Spongebob Squarepants and Mean Girls topped the Tony nominations list. I mean, I do sense the irony (not forgetting that THE BAND'S VISIT won the Tony Award for Best Musical). But I would suggest that even Spongebob does make the state of the new West End musical look rather dire. It seems like for the most part, the best 'new' musicals are being imported from New York City. Of course, there are some exceptions (e.g., Matilda; Billy Elliot; Everybody's Talking about Jamie etc.)
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Post by Stephen on Jun 24, 2018 15:04:27 GMT
The price tag and lack of great deals for plays probably explains it but a MUCH less diverse audience than in London, i've always found. A lot of white middle class families in suits and dresses (even the kids)
It is getting better for some shows though, Dear Evan Hansen and Mean Girls etc, but it's still an issue.
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Post by pajonk on Jun 25, 2018 13:34:19 GMT
Foyer spaces on Broadway are generally more limited I've never been on Broadway (ok, I've been, but not in the theatre), but... seriously? Is that even possible? One of my biggest surprises after the first visit on WE was the sizes of foyers, which in most cases are virtually non-existent. Completely different from theatres I know from Poland (I know, a square meter in Central London worth a lot).
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