7,193 posts
Member is Online
|
Post by Jon on Oct 22, 2018 23:52:39 GMT
Glenn Close may well be absolutely brilliant, but release date maths (it came out in mid-August in the US, weirdly before its TIFF ‘premiere’) and the fact that it didn’t generate huge audience interest (only $12.5 million Box office) suggests that it’s not going to get a big Oscar campaign. I think she’ll be overlooked by the big awards - though she will likely win a handful of smaller ones. Remember, folks, awards often don’t go to the actual best performances - when they do it’s a happy accident. The system rewards the best awards campaigns, and it’s very unusual for a film to be released in August and sustain a campaign all the way through to February. Boyhood was the last film to manage it, but that had the incredible production story to tell. Warner Bros and Fox will likely put up strong campaigns for ASIB and The Favourite. The former has another potential award contender in The Mule which may put Bradley Cooper against Clint Eastwood both in acting and directing category although Cooper could potentially a best supporting nod as he's also in The Mule. |
|
|
|
Post by Deleted on Oct 22, 2018 23:57:55 GMT
Gaga does an incredible job here, she is actually a very good actress however it's true that her character lacks an Oscar winning moment apart for maybe the last song. She will however be nominated specially when the Academy are so desperate to increase viewers ratings of the broadcast She really does |
|
|
|
Post by Deleted on Oct 23, 2018 7:00:41 GMT
Glenn's biggest hurdle isn't getting the win, its getting the nomination. As said by a few members, the film came out early and is a fairly small film that bar the two leads, isn't that great a film. By the time Oscar nominations come out, it will be interesting to see if she makes it into the mix, let alone winning.
Either way, I think both Gaga and Cooper will walk away with their first Oscar's. With Gaga nominated for Actress and Song (likely two nominations), and Cooper nominated for Picture (as Producer), Actor, Director, Adapted Screenplay and Song (again, possibly two nominations), I'd be shocked if either if them don't walk away with one each.
|
|
494 posts
|
Post by ellie1981 on Oct 23, 2018 7:53:51 GMT
I’m still failing to see anything natural or brilliant about Lady Gaga’s performance. It was fine and did the job, but no more than Whitney Houston in The Bodyguard. I put the two films as a parallel really because the circumstances are quite similar - successful female singer approx 8-10 years into her career lands first movie role playing a singer; male co-star in his 40s is hot stuff right now and is instrumental in casting of singer; movie and soundtrack is a commercial success; movie ends on female singer performing big ballad in tribute to lead male character. In fact that last song had so many hints of I Will Always Love You in its delivery I noticed it right away.
|
|
|
|
Post by Deleted on Oct 23, 2018 12:47:57 GMT
Does winning for ‘Best Song’ count for EGOT purposes?
|
|
|
|
Post by Deleted on Oct 23, 2018 12:55:21 GMT
Does winning for ‘Best Song’ count for EGOT purposes? I believe so, so long as it's in a competitive category. |
|
|
|
Post by Deleted on Oct 23, 2018 13:22:49 GMT
Does winning for ‘Best Song’ count for EGOT purposes? If Cynthia Erivo's Emmy for Daytime TV Show performance counts then Original Song definitely should! |
|
|
|
Post by Deleted on Oct 23, 2018 13:55:19 GMT
There is a suggestion around that Daytime Emmys shouldn't count and I'm inclined to agree. And really, how Cynthia won the award in order to get an EGT is laughable. Seriously, all she did was turn up to the 'Today' show and sing a song from 'The Color Purple'. It cheapens the EGOT I think.
I might tweet her to let her know. I think she'll like that.
|
|
494 posts
|
Post by ellie1981 on Oct 23, 2018 14:01:32 GMT
Does winning for ‘Best Song’ count for EGOT purposes? I believe so, so long as it's in a competitive category. Yes, definitely. Lin Manuel was all set for his EGOT with Moana, unfortunately pipped to the post by La La Land. |
|
|
|
Post by Deleted on Oct 23, 2018 14:40:07 GMT
There is a suggestion around that Daytime Emmys shouldn't count and I'm inclined to agree. And really, how Cynthia won the award in order to get an EGT is laughable. Seriously, all she did was turn up to the 'Today' show and sing a song from 'The Color Purple'. It cheapens the EGOT I think. I might tweet her to let her know. I think she'll like that. It's more the fact of just how much she was going on about it as if a Daytime Emmy had the same prestige as a Primetime one, but that's a discussion for another thread. I don't think all Daytime awards should necessarily be excluded, but the performance one is one of the ones that is just a bit unnecessary in my opinion. |
|
|
|
Post by Deleted on Oct 23, 2018 15:38:55 GMT
There is a suggestion around that Daytime Emmys shouldn't count and I'm inclined to agree. And really, how Cynthia won the award in order to get an EGT is laughable. Seriously, all she did was turn up to the 'Today' show and sing a song from 'The Color Purple'. It cheapens the EGOT I think. I might tweet her to let her know. I think she'll like that. I really don't want her to get the EGOT. I can see it happening, but just imagine the ego. |
|
230 posts
|
Post by hal9000 on Oct 29, 2018 6:48:38 GMT
So I really loved the second major song Gaga sings. The one she starts writing in the diner and performs at the festival on the piano.
Otherwise, I wasn’t terribly impressed with her acting. Unlike the 1954 version in which the struggles of both characters is pretty much evenly split, this was very much a study of addiction, a very personal role for Cooper and I can’t tell how much the movie favours him because of how he wrote it or because Gaga didn’t bring what she needed to her part.
The bathtub scene was a case in point. He gradually needled and needled her and became more and more cruel and her response was a continual flat exasperation. I think her nude scene was almost necessary in that it showed her completely raw and vulnerable, which she struggled to do consitantly with her face and voice.
The only song I really disliked was the last one. It was a bit of a 90s Diva-style ballad and she performed bombastically. As people said above didn’t fit in with what Cooper told her about singing with resonance and heart.
|
|
|
|
Post by Deleted on Nov 23, 2018 20:40:02 GMT
Listening to the Soundtrack again today. I know alot are predicting Shallow will win an Oscar, but my god, if I had it my way, I Will Never Love Again should storm it! Such a stunning song, and Gaga's performance is nothing short of incredible in that scene! I imagine it will at least get nominated alongside Shallow, and everything crossed it will win.  |
|
639 posts
|
Post by andrew on Nov 23, 2018 21:07:24 GMT
Listening to the Soundtrack again today. I know alot are predicting Shallow will win an Oscar, but my god, if I had it my way, I Will Never Love Again should storm it! Such a stunning song, and Gaga's performance is nothing short of incredible in that scene! I imagine it will at least get nominated alongside Shallow, and everything crossed it will win. They are probably going to submit only one song, since having two nominations would split the votes, which could potentially result to neither of them winning. It's a great song and has some of the very best Gaga vocals on it but it's too reminiscent of I Will Always Love you and Without You, so I think they will only go for Shallow. |
|
|
|
Post by Deleted on Nov 23, 2018 21:20:42 GMT
Listening to the Soundtrack again today. I know alot are predicting Shallow will win an Oscar, but my god, if I had it my way, I Will Never Love Again should storm it! Such a stunning song, and Gaga's performance is nothing short of incredible in that scene! I imagine it will at least get nominated alongside Shallow, and everything crossed it will win. They are probably going to submit only one song, since having two nominations would split the votes, which could potentially result to neither of them winning. It's a great song and has some of the very best Gaga vocals on it but it's too reminiscent of I Will Always Love you and Without You, so I think they will only go for Shallow. Ah that's very true. A shame, as even though there is obvious similarities, it really is the best song in the film.  |
|
2,062 posts
|
Post by Marwood on Nov 24, 2018 19:25:21 GMT
Having decided not to wait for the blu-ray/digital release, I bit the bullet and went to see this in a cinema this afternoon (the Odeon Haymarket Luxe, a lovely seat and the whole of the front row to myself, shame about the Tw*t sat a few rows behind rummaging through what sounded like the biggest multipack of crisps in the history of Christendom for the first 90 minutes or so and eating at least 4 packets but I guess you can’t have it all - I’m hoping they’re suffering a massive case of gut rot right about now) and I have to say I loved it.
Yes I it starts to sag just over half way through and the music isn’t really the sort of thing I listen to normally but I’ll admit to having a tear in my eye at the end - both Bradley Cooper and Lady Gaga were great, Cooper proving he can actually act after appearing in lots of crud like the second two Hangover films (I saw him in the Elephant Man at the TRH and wasn’t that impressed with him channeling his inner Rainbow George)
|
|
|
|
Post by Deleted on Dec 19, 2018 9:17:54 GMT
They are probably going to submit only one song, since having two nominations would split the votes, which could potentially result to neither of them winning. It's a great song and has some of the very best Gaga vocals on it but it's too reminiscent of I Will Always Love you and Without You, so I think they will only go for Shallow. Ah that's very true. A shame, as even though there is obvious similarities, it really is the best song in the film. 'Shallow' is the only song from the film that has made the Oscar longlist for Best Original Song so that's the only chance it has in that category (so long as it's picked for the eventual nomination list). |
|
|
|
Post by learfan on Dec 21, 2018 7:02:29 GMT
Extremely rare showing of the 1937 version with Janet Gaynor and Fredric March on Retro Movies at the mo. I recorded it last night.
|
|
|
|
Post by Deleted on Dec 21, 2018 9:07:48 GMT
It's a fairly niche problem but every time this thread comes up I get the song of the same name from Hercules stuck in my head.
|
|
|
|
Post by Deleted on Dec 21, 2018 9:08:38 GMT
I'd argue it's not even a problem, as Hercules is a far superior movie with a far greater soundtrack than this most recent version of A Star Is Born.
|
|
|
|
Post by Deleted on Dec 21, 2018 9:09:53 GMT
I'd argue it's not even a problem, as Hercules is a far superior movie with a far greater soundtrack than this most recent version of A Star Is Born. Where's the lie. As we've been doing it in choir this term, I can also offer you alternative harmonies and dance moves. |
|
|
|
Post by learfan on Dec 21, 2018 9:29:33 GMT
No thanks.
|
|
|
|
Post by Deleted on Dec 21, 2018 12:19:56 GMT
Ooh aren’t we the grumpy pants this morning. |
|
|
|
Post by Deleted on Jan 7, 2019 11:43:59 GMT
Maybe not quite the win Gaga wanted but bravo anyway . .  Let's hope she managed to get out of that frock alive though . . .  |
|
|
|
Post by Deleted on Jan 7, 2019 12:10:19 GMT
She looks stunning. And I've seen that the dress was inspired by a Judy look from her version of the film, which is a lovely touch!
|
|
