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Post by Deleted on May 19, 2018 9:51:31 GMT
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Post by ali973 on May 19, 2018 21:12:30 GMT
I've been following this show for a few weeks now. So interesting and totally up my alley. It sounds like a challenging, original and thought provoking show. I really hope it has life after this run in LA. From what I've read it is edgy, but still requires a lot of work.
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Post by 49thand8th on May 20, 2018 0:54:50 GMT
Seeing it next month in San Francisco. Sounds wacky — really looking forward to it!
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Post by ali973 on May 20, 2018 12:35:59 GMT
You rock star you! I was following this show for a while and it's so right up my alley. I had no idea it was playing in SF. It just so happens that I will be in SF on the 15th and was going to leave on the 19th! So I extended for just one night and bought myself a ticket to the first performance! YES!
When are you seeing it?
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Post by 49thand8th on May 21, 2018 14:34:56 GMT
After you are. I'm from the area, so I'm going to fit in a few other things while I'm there too.
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Post by ali973 on May 21, 2018 14:39:27 GMT
We're trying to squeeze in Angels in America at Berkley Rep and Christine Ebersole at the Nikko.
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Post by 49thand8th on May 21, 2018 14:47:24 GMT
The Nikko is a really nice space! Get the hummus.
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Post by ali973 on May 21, 2018 17:54:54 GMT
I live in the Middle East. Must I really get the hummus?
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Post by 49thand8th on May 21, 2018 18:28:40 GMT
LOL! OK, fine, don't, if you insist...
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Post by ali973 on Jun 21, 2018 6:08:57 GMT
Just saw the first performance tonight at the beautiful Curran Theatre in San Francisco.
This is a very subversive play (that then becomes a musical!) about the way America views itself and others. It's quite sophisticated for a musical and tries to cram in a lot about orientalism and the current state of world affairs (with a specific focus on America and China), but I think it does it quite skillfully and cheekily throughout. A keen interest and knowledge of the way both countries are operating at a world level would be helpful.
A friend of mine and I were talking the other day about how he misses a score written for the theatre in a time when musicals have pop-scores like Hamilton and Dear Evan Hansen (not a complaint, just an observation). The score here is just that, and in a way a soft homage and pastiche to everything musical theatre with its 22-piece orchestra. There are some truly wonderful songs. I would re-write the song that DHH sings towards the end of Act 1 for lacking the emotional effect it tries to achieve, as well as the Act 1 closing that doesn't deliver the necessary punch.
The sets and visuals are pretty basic and Americana gone-haywire, but I think the show could benefit from a more enhanced and dynamic lighting design. The lighting cues are still a bit rough, and require fine-tuning even if this remains the final design.
The creative team was sitting in the row behind me, so I think there are serious intentions to make this Broadway-ready. I'd be interested to see what other changes they make during its SF run, and how it will fare at the Public Theatre. For the kids who thought The Band's Visit was an art show, wait until you see this.
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