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Post by Deleted on Mar 1, 2017 1:13:23 GMT
First performance tonight at the Dorfman (technically last night as it is now 1am), was anyone there or got plans to go?
Already seeing some very positive comments on Twitter! Sounds like a really interesting play so will definitely try to catch this on tour.
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Post by Deleted on Mar 12, 2017 1:40:06 GMT
So despite the great comments on social media, the reviews haven't been so great from Friday's press night...
***** - BritishTheatre.com **** - WhatsOnStage *** - The Telegraph, The Reviews Hub, LondonTheatre1.com ** - The Stage, The Upcoming * (ouch!) - The Arts Desk
After listening to the Radio 4 documentary about it, I think it probably hasn't been developed well hence the structure isn't particularly strong - as the reviews suggest.
As I said though, still some great comments coming up on twitter, so can't decide if I still want to go now.
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Post by Hana PlaysAndParasols on Mar 12, 2017 8:15:00 GMT
I would say it's still worth seeing, I enjoyed watching it. But it didn't offer anything particularly new on the topic and wasn't as in depth as other verbatim plays tend to be.
I saw Limehehouse in quick succession which touches upon slightly similar topics and thought that was much more effective by the way.
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Post by bellboard27 on Mar 15, 2017 10:04:17 GMT
I went last night and also to the Platform beforehand with Rufus Norris and Padraig Cusack. The latter was mildly informative. Their attempt to capture the voices of Britannia deliberately excluded London and the South East (to avoid appearing too metropolitan) and the content of the play changed significantly till close to the first performance. Beyond that much of the discussion was about how to distil down hours and hours of recordings into a short play.
I found it fairly entertaining, but I fully agree that there was little new in the voices presented.
Note that the NT states a running time of 1h 30 mins, but even though we started 5 mins late, we were out by 9.20 - so a run time of 1h 15 mins.
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Post by duncan on Mar 28, 2017 11:39:24 GMT
They are still saying 1h 30 for this evenings performance but 1h15 would be better as it would give me more time to get to the train station for the xx12.
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Post by duncan on Mar 28, 2017 21:34:21 GMT
Somewhere in here is the germ of a good idea but sadly those 15 minutes or so of the nations and regions speaking to each other are buried under the tedium of oral history speeches from the public that offer nothing new or interesting to the Brexit debate.
There isn't one single contribution from the public that will make you question your own thoughts or beliefs on the rights and wrongs of Brexit, its the same tired old clichés that the media and social media have been churning out since last June. I was hoping that someone they spoke to would offer some dazzling insight to justify the piece but no.
In the end it meanders to a meaningless close and you are left wondering what the point of it all was - both the play and the EU referendum.
Its 75 minutes long, which is odd in itself as Brexit is THE big topic of the moment and yet they clearly haven't got the material to produce anything more and that in itself is quite revealing.
A missing an open goal 4/10
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Post by Deleted on Apr 4, 2017 16:33:46 GMT
Being shown on bbc4
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Post by Deleted on May 5, 2017 20:40:27 GMT
I saw this tonight in Cardiff and the audience included a party from Merthyr Tydfil, where the welsh interviews were done, and at least one of the interviewees featured in the play. It was quite a lively crowd and the actors seemed to enjoy the experience as much as the audience, many of whom gave a genuine standing ovation and joined in with some of the songs. I imagine that it's much better to see this in one of the participating nations and regions, rather than in the sterile auditorium of the National Theatre of the South Bank with its blase, metropolitan, theatregoing audience. I thought the play was very successful in presenting the UK as a body of different nations and regions and individuals with varied heritages, histories, experiences and circumstances, all brought together or forced apart by the recent, catastrophic Brexit Referendum episode.
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Post by Deleted on May 16, 2017 21:52:12 GMT
Saw this tonight. Sadly I have to agree with Duncan's review as I found myself in the category feeling underwhelmed by it. Maybe it could be because I'm not a massively political person and did not (and still don't) know what to make of Brexit, but I felt it was almost like Rufus Norris and the NT felt like they had to rush to get a Brexit-related piece on stage, that they just ended up churning out people's opinions adding nothing to the whole debate. Some funny moments, but nothing side splitting nor heart warming.
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Post by bordeaux on Jun 14, 2017 7:07:36 GMT
It appears performances, or perhaps a performance, have been cancelled at the Arts Theatre, Cambridge, though lack of sales. Now just on Thurs to Sat.
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Post by Deleted on Jun 14, 2017 8:27:30 GMT
When I saw this in London I just thought it was a wasted opportunity - it didn't have anything to say, and it was just regurgitating the same old cliches. It was billed as giving a voice to people who didn't usually get heard (hence no London representation) but I'd heard all those voices throughout the campaign and before, so just the basic premise seemed to be wrong and a bit patronising.
It had vaguely entertaining moments, but hardly a great insightful play exploring the state of the nation.
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Post by samuelwhiskers on Jun 14, 2017 9:47:30 GMT
It's odd structurally. The first and last thirds are pure verbatim (and all that implies) and the whole singing and dancing jazz hands let's take a tour through regional stereotypes party in the middle is just... bizarre. Fun, but out of place. But without it it would just be an hour or whatever of watching the local news interviewing regular people with your eyes shut.
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Post by n1david on Nov 18, 2017 14:04:52 GMT
If anyone failed to see this at the NT or on tour, it's on BBC2 tonight (18 Nov) at 9pm
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