591 posts
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Post by lou105 on Feb 10, 2017 14:07:12 GMT
I'd been wondering whether to post about this, and then I read a thread about some people's wish to read more about regional and touring productions . So! I saw this in Leeds and there are seven other venues ahead. The premise is: "Witness the transformation of Eliza Doolittle in a world where we can be digitally altered within seconds." Not surprisingly, then, it's all in modern dress, Higgins has much more technology at his disposal and there's a lot of digitised voice swapping to encourage us to consider our preconceptions. Eliza is given an accent other than Cockney, whereas her father is played as a Londoner, and of course the place names referenced in the script are all in London. Presumably that's not supposed to matter - we are just given a strong regional accent, rather than one in particular. More problematic for me was that Eliza had her modern clothes "upgraded" for better ones, but the "aspirational" social events to which she was sent were somewhat stuffy in the early 20th century and just seem plain unlikely now- how many of us have paid afternoon calls to drink tea out of social duty?! Maybe I'm overthinking it but it seemed to me that making partial changes didn't really add as much to Shaw's version as was presumably hoped. Having said that, it's definitely a production to get younger audiences thinking, and there were scenes which i really enjoyed. I particularly liked Liza Sadovy as Mrs Higgins , in some amazing outfits and glass-box sets. The end scene was also strong, perhaps for me because the message at that point was clear, and i admired Natalie Gavin's skill at switching between accents, even in the same sentence!
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Post by oxfordsimon on Feb 10, 2017 16:58:50 GMT
I read the description in the Oxford Playhouse brochure and just cringed. I think I am going along to see it - but very reluctantly. It sounds like a mess of ideas rather than a clear vision for Shaw's most popular play. Updating for the sake of updating - rather than bringing fresh light to a classic.
I suspect we will get even more of this sort of thing in about 3 years time when Shaw drops out of copyright...
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Post by Jan on Feb 10, 2017 17:47:28 GMT
I suspect we will get even more of this sort of thing in about 3 years time when Shaw drops out of copyright... Oh God no - is that right ? Windbag Central.
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Post by oxfordsimon on Feb 10, 2017 19:08:07 GMT
He died in 1950 - so the 70 years are up in 2020...
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Post by showgirl on Feb 10, 2017 19:52:51 GMT
Thank you so much for posting, lou105 - exactly what some of us are keen to see more of, especially as this sounds like a contentious reworking which is likely to divide opinion! I haven't yet decided whether I want to see it but it certainly sounds intriguing.
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591 posts
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Post by lou105 on Feb 10, 2017 19:57:20 GMT
Thank you so much for posting, lou105 - exactly what some of us are keen to see more of, especially as this sounds like a contentious reworking which is likely to divide opinion! I haven't yet decided whether I want to see it but it certainly sounds intriguing. I'm sure it will divide opinion! I skated over some of the stranger aspects of it in case people felt I was giving too much away..
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Post by Deleted on Feb 11, 2017 11:53:13 GMT
I suspect we will get even more of this sort of thing in about 3 years time when Shaw drops out of copyright... Oh God no - is that right ? Windbag Central. May be a bonus as the plays can then have a machete let loose on them , with the windbaggery taken out (I'm hopefully seeing this the week after next at the WYP).
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Post by Deleted on Feb 11, 2017 15:43:09 GMT
Me seeing in Cheltenham.
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Post by Deleted on Mar 29, 2017 23:52:10 GMT
Three whole rows of ultra-posh schoolgels directly in front of me. They watched with rapt attention, and I thought it might be best to watch this production knowing absolutely nothing at all about the play or musical or film adaptations. If you're already familiar, you're much too much wondering why they changed this to that, and so on. I regret to say that I feel I'd be happy to go a very long time without seeing another "reimagined classic". On the other hand, for new audiences, this seems to work.
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Post by theatreliker on Mar 31, 2017 8:42:53 GMT
I haven't seen the play before but I saw this on tour. It's one of the best things I've seen this year so far. Incredible.
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