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Post by Deleted on Oct 4, 2018 14:00:17 GMT
There's always one isn't there? 😉
I'm just waiting for someone to say "who is this Cate Blanchett, what has she done?"....
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Post by Jan on Oct 4, 2018 14:18:37 GMT
There's always one isn't there? 😉 I'm just waiting for someone to say "who is this Cate Blanchett, what has she done?".... Well I’ve never seen her in anything and couldn’t name a single film or TV or play she’s been in. Close enough ?
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Post by learfan on Oct 4, 2018 17:08:08 GMT
There's always one isn't there? 😉 I'm just waiting for someone to say "who is this Cate Blanchett, what has she done?".... Well I’ve never seen her in anything and couldn’t name a single film or TV or play she’s been in. Close enough ? You really must get out more! She is the best film actress of the last 20 years i would say.
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Post by Deleted on Oct 4, 2018 20:33:24 GMT
It's just a bit dull, isn't it? The Bruce Norris sounds great. But a lot of the rest sounds dutiful, especially when you compare it to, say, the Almeida. Amongst classic revivals, the RSC have got there first with Tartufffe and the Almeida with Three Sisters. I might give Peer Gynt a go, as Jonathan Kent can be excellent but it is a tricky one to do. The only one I've seen was a rare Declan Donellan misfire at the National in 1990. Do I remember that Ninagawa's was adjudged a failure too? Nerd points (questionable) for McArdle being in two plays previously staged at the NT by Donnellan in two years (and that were done, if the other way around, within two years originally) I’ll get me nerd coat.
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Post by duncan on Oct 8, 2018 9:41:13 GMT
Well I’ve never seen her in anything and couldn’t name a single film or TV or play she’s been in. Close enough ? You really must get out more! She is the best film actress of the last 20 years i would say. Oh no, no no no. Personally she fits into that David Tennant category for me - every single tick, every single turn, every single moment just screams "I'M ACTING" and that always brings me out of the performance. I'm definitely in the no camp when it comes to Blanchett.
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Post by lichtie on Oct 16, 2018 11:16:40 GMT
Working for me OK (Firefox). Just tried a dummy booking and got the seat all the way to the basket. Map was fine.
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Post by TallPaul on Oct 16, 2018 12:37:09 GMT
I've just had a play. I've also tried to book tickets on both IE and Chrome. On IE, the seating plan disappears, period. On Chrome it disappears for perhaps 10 seconds, then reappears.
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Post by jek on Oct 18, 2018 10:44:17 GMT
Just got the Nov-April brochure through the post. Have been wondering about not bothering to renew my membership next year as I have seen so many things I haven't rated at the National recently. But there, in the upcoming productions bit in the back of the publication, comes the knowledge that they are putting on something that I didn't know - at least until I read this - was a big hole in my life that I needed to fill. Yes! In the Dorfman they are putting on Andy Stanton's Mr Gum and the Dancing Bear - The Musical. If you have offspring of a certain age (or are keen on Danny Baker's recommendations) then you will know that the Mr Gum books (published from 2006 onwards) are fantastic. The opportunity to visit the town of Lamonic Bibber and its residents is worth the price of National membership.
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Post by Jan on Oct 18, 2018 13:27:26 GMT
Just got the Nov-April brochure through the post. Have been wondering about not bothering to renew my membership next year as I have seen so many things I haven't rated at the National recently. But there, in the upcoming productions bit in the back of the publication, comes the knowledge that they are putting on something that I didn't know - at least until I read this - was a big hole in my life that I needed to fill. Yes! In the Dorfman they are putting on Andy Stanton's Mr Gum and the Dancing Bear - The Musical. If you have offspring of a certain age (or are keen on Danny Baker's recommendations) then you will know that the Mr Gum books (published from 2006 onwards) are fantastic. The opportunity to visit the town of Lamonic Bibber and its residents is worth the price of National membership. Agree on Mr Gum but it’s not necessary to be a member to book things at the NT.
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644 posts
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Post by jek on Oct 18, 2018 18:20:49 GMT
You are of course right Jan. But what I mean is that the fact that they are putting something on like this makes me more inclined to want to support them, just as some of their past productions, and also their educational activities (which my teenage daughter has directly benefited from) have in the past. Thank goodness you don't have to be a member to be able to book - that would be grossly unfair!
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Post by Deleted on Oct 18, 2018 19:12:34 GMT
I think Parsley may have been right about ticket distribution for the Blanchett. The ballot text on the NT page reads, "Olivier Circle, Benefactors, Premier Patrons, Patrons and Young Patron Ambassadors should contact the Development Department on 020 7452 3218 for booking dates." Interesting. Not really If someone is donating upwards of a grand a year It’s only reasonable to acknowledge this level of support The tickets still have to be paid for It’s realistic and rewards loyal patrons There is this pervasive attitude on the forum “It’s not worth supporting” “You don’t have to be a member to get tickets” Those people are better off not being members in the first place And can enter the ballot I am also usually always right
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Post by Deleted on Oct 18, 2018 19:14:38 GMT
And it just shows you all
How accessible the arts really are
They are not a charity
They are a business
Pretend otherwise If you like
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Post by lynette on Oct 18, 2018 20:47:48 GMT
When you meet Mr Right, make sure his first name isn’t Always.
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Post by showgirl on Oct 19, 2018 3:40:04 GMT
I shan't renew unless/until the NT do something about their wretched booking system, chiefly the ridiculously long queues and that fact that everyone has to join the same queue regardless of how many tix/productions they're trying to book for.
I've suggested:
They do booking by venue (would still mean quite a lot going live at once)
And/or limit the number of productions released for sale at the same time
And/or introduce the equivalent of the supermarkets' "5 items or fewer" - which would for instance help those trying to book a single ticket for a single production, as I have been several times in the last 18 months.
They are not interested in responding so I am giving up pro tem.
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Post by Jan on Oct 19, 2018 5:55:16 GMT
You are of course right Jan . But what I mean is that the fact that they are putting something on like this makes me more inclined to want to support them, just as some of their past productions, and also their educational activities (which my teenage daughter has directly benefited from) have in the past. Thank goodness you don't have to be a member to be able to book - that would be grossly unfair! Oh I see. Well I sort of agree with that. I am still a member of NT but only through inertia, I've seen very little there during the Norris regime and what I have seen I've just booked via normal public booking dates. I terminated my RSC membership some years ago when I realised I was just holding on to it for sentimental reasons because I was only ever booking £10 day tickets from the Barbican direct, the membership brought no benefits at all.
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Post by learfan on Oct 19, 2018 6:04:38 GMT
You are of course right Jan . But what I mean is that the fact that they are putting something on like this makes me more inclined to want to support them, just as some of their past productions, and also their educational activities (which my teenage daughter has directly benefited from) have in the past. Thank goodness you don't have to be a member to be able to book - that would be grossly unfair! Oh I see. Well I sort of agree with that. I am still a member of NT but only through inertia, I've seen very little there during the Norris regime and what I have seen I've just booked via normal public booking dates. I terminated my RSC membership some years ago when I realised I was just holding on to it for sentimental reasons because I was only ever booking £10 day tickets from the Barbican direct, the membership brought no benefits at all. I think has been covered in other threads. I have recently upgraded my rsc membership but its has very little to do with the earlier booking dates. I love the rsc and what it does so i want to do my bit, i imagine thats the case with most who are above the basic membership.
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Post by Jan on Oct 19, 2018 7:40:39 GMT
Oh I see. Well I sort of agree with that. I am still a member of NT but only through inertia, I've seen very little there during the Norris regime and what I have seen I've just booked via normal public booking dates. I terminated my RSC membership some years ago when I realised I was just holding on to it for sentimental reasons because I was only ever booking £10 day tickets from the Barbican direct, the membership brought no benefits at all. I think has been covered in other threads. I have recently upgraded my rsc membership but its has very little to do with the earlier booking dates. I love the rsc and what it does so i want to do my bit, i imagine thats the case with most who are above the basic membership. They did better work when they had less money.
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Post by Deleted on Oct 19, 2018 14:06:50 GMT
I can't remember if it was this thread or another NT discussion this came up in but I'm whacking it in here for brevity. Confirmed this morning that the NT does not pay 'star salaries' just a 'top rate' salary on a pay scale not unlike their other staff scales. And they aren't allowed to go over that under their various funding agreements. It is somewhere between £900-£1000 per week, so not to be sniffed at but also not exactly A list or even West End pay grade (let alone Broadway).
Fun facts brought to you by researching a book that might kill me.
Another fun fact, there is however nothing to stop an NT donor 'Sponsoring' an actor's say, travel and accommodation or anything else they might need. So Development can, say approach supporters for individual contributions of that kind.
God I wish I wasn't such a nerd for fundraising regulations.
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Post by Jon on Oct 19, 2018 14:14:35 GMT
I wonder if the big American stars like Bryan Cranston and Nathan Lane got perks in lieu of a bigger salary.
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Post by Deleted on Oct 19, 2018 14:24:58 GMT
I wonder if the big American stars like Bryan Cranston and Nathan Lane got perks in lieu of a bigger salary. Let's just say at least one of them did.
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Post by andrew on Oct 19, 2018 14:33:50 GMT
I can't remember if it was this thread or another NT discussion this came up in but I'm whacking it in here for brevity. Confirmed this morning that the NT does not pay 'star salaries' just a 'top rate' salary on a pay scale not unlike their other staff scales. And they aren't allowed to go over that under their various funding agreements. It is somewhere between £900-£1000 per week, so not to be sniffed at but also not exactly A list or even West End pay grade (let alone Broadway). Fun facts brought to you by researching a book that might kill me. Another fun fact, there is however nothing to stop an NT donor 'Sponsoring' an actor's say, travel and accommodation or anything else they might need. So Development can, say approach supporters for individual contributions of that kind. God I wish I wasn't such a nerd for fundraising regulations. I'm glad that's how they play it, they don't have enormous problems getting big names from time to time. What book is all this from Emi? Share more please.
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Post by Deleted on Oct 19, 2018 14:47:07 GMT
I can't remember if it was this thread or another NT discussion this came up in but I'm whacking it in here for brevity. Confirmed this morning that the NT does not pay 'star salaries' just a 'top rate' salary on a pay scale not unlike their other staff scales. And they aren't allowed to go over that under their various funding agreements. It is somewhere between £900-£1000 per week, so not to be sniffed at but also not exactly A list or even West End pay grade (let alone Broadway). Fun facts brought to you by researching a book that might kill me. Another fun fact, there is however nothing to stop an NT donor 'Sponsoring' an actor's say, travel and accommodation or anything else they might need. So Development can, say approach supporters for individual contributions of that kind. God I wish I wasn't such a nerd for fundraising regulations. I'm glad that's how they play it, they don't have enormous problems getting big names from time to time. What book is all this from Emi? Share more please. Oh I meant research for my own book! (On Angels) Which sadly won’t be a tell all on behind the scenes at the Nash, but should anyone want to publish that I will write it.
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Post by andrew on Oct 19, 2018 15:31:08 GMT
I'm glad that's how they play it, they don't have enormous problems getting big names from time to time. What book is all this from Emi? Share more please. Oh I meant research for my own book! (On Angels) Which sadly won’t be a tell all on behind the scenes at the Nash, but should anyone want to publish that I will write it. The demand for a 'Dirty Secrets of the National Theatre' is definitely there, I'm just saying...
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Post by Deleted on Oct 19, 2018 15:47:55 GMT
Oh I meant research for my own book! (On Angels) Which sadly won’t be a tell all on behind the scenes at the Nash, but should anyone want to publish that I will write it. The demand for a 'Dirty Secrets of the National Theatre' is definitely there, I'm just saying... haha well, I did pitch a related book as a joke today....and now the idea seems to have legs. But go on go on...let's write this one as well.
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Post by theatrelover123 on Oct 19, 2018 17:33:46 GMT
Fun facts brought to you by researching a book that might kill me. If you make it lighter and build a stronger bookshelf, it may not fall on you after all. And if you wear a crash helmet from the day it is published, you should lead a long and productive life even if it does. Always look on the bright side . Oh you ARE a funny ickle monkey <rofl>
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