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Post by showgirl on Jan 31, 2024 3:55:06 GMT
Having seen my 2 "must see" films last weekend, I'm left with nothing current or new to add to my theatre matinee trip this weekend, as both Poor Things and The Zone Of Interest look ghastly to me and Samsara simply weird. However I'm pleased to find that Curzon is offering another chance to see 2 films I missed recently, Rustin and the Wham documentary, so those will do nicely.
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Post by jek on Jan 31, 2024 8:54:45 GMT
showgirl Rustin is great. Well worth a visit. I hadn't realised that about the marketing for American Fiction. I was the primary carer for my mum during dementia and then for a close family friend so that stuff hits hard. Of course, many others in the audience will have had the same experience. It was so well done in the film.
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Post by alessia on Jan 31, 2024 10:23:20 GMT
The Holdovers. Thought it was excellent today. Deservedly award winning lead performance and, I think, a new 'classic' holiday film for grown ups. I loved it. I am a fan of Payne so I knew I'd like this one. I thought both Giamatti and especially the young student were outstanding, also the cook. I really hope the film gets some recognition. I agree this is a classic in the making.
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Post by Jon on Jan 31, 2024 12:40:03 GMT
I'm not seeing American Fiction until this weekend but looking forward to it.
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Post by showgirl on Jan 31, 2024 15:11:23 GMT
Re the marketing for American Fiction, this is an extract from the Observer article of 28.1.24 explaining how the writer, Cord Jefferson - author of the source novel, Erasure - wanted to avoid writing "a movie about Black people" and why those who've seen the marketing might be surprised by the film itself:
"American Fiction avoids that pitfall by broadening its scope far beyond the consequences of white liberal anxieties. Though much of the discourse around the film – much like the initial trailer released – has focused largely on its treatment of race, audiences may be surprised to find large parts of the film are a poignant study of a family in crisis, making clear that racism is not the defining pillar of Black identity. I imagine it has been strategically marketed thus, in the knowledge that white moviegoers may not be interested in a film they suspect is about something as quotidian as ordinary Black people experiencing quiet family drama – if indeed such a film would ever even be greenlit."
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Post by jek on Jan 31, 2024 17:51:56 GMT
showgirl Really interesting - thank you. By the way hope that you are healing OK - January is hard enough without extra stress.
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Post by jr on Jan 31, 2024 19:50:33 GMT
Re the marketing for American Fiction, this is an extract from the Observer article of 28.1.24 explaining how the writer, Cord Jefferson - author of the source novel, Erasure - wanted to avoid writing "a movie about Black people" and why those who've seen the marketing might be surprised by the film itself: "American Fiction avoids that pitfall by broadening its scope far beyond the consequences of white liberal anxieties. Though much of the discourse around the film – much like the initial trailer released – has focused largely on its treatment of race, audiences may be surprised to find large parts of the film are a poignant study of a family in crisis, making clear that racism is not the defining pillar of Black identity. I imagine it has been strategically marketed thus, in the knowledge that white moviegoers may not be interested in a film they suspect is about something as quotidian as ordinary Black people experiencing quiet family drama – if indeed such a film would ever even be greenlit." The novel is by Percival Everett. en.m.wikipedia.org/wiki/Erasure_(novel)
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Post by showgirl on Feb 1, 2024 4:38:06 GMT
Apologies and thank you to jr for the correction; I don't know how I had acquired the impression that Cord Jefferson had written the source novel; maybe he wrot the screenplay only.
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Post by Marwood on Feb 2, 2024 21:06:02 GMT
Saw Argylle at BFI IMAX earlier this evening: I didn’t realise it was financed by Apple Films but I’m glad I got to see it on a big screen rather than in my laptop: the film itself wasn’t that great and seemed to take ages to find its groove but it was likeable enough by the time it ends: certainly the best thing either Sam Rockwell or Bryan Cranston have done in ages. If you do go and see it in a cinema, don’t bother hanging round for the scene in the end credits (one of the reviews I read said it featured a major character in the film but it was a couple of nobodies 🤣)
I’ll give this 3 stars, but wouldn’t want to see it again.
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Post by Marwood on Feb 3, 2024 23:50:09 GMT
Saw American Fiction at the BFI tonight, introduced by Cord Jefferson, Sterling K. Brown and Jeffrey Wright (although as the screening didn’t start until gone 9, I missed the Q&A after or I wouldn’t have got home much before one in the morning): I enjoyed it, it’s not quite the out and out comedy I had been expecting from the trailer as there are quite a few moments of melancholy sewn into it with great performances across the board, although the BFI being what it is, certain members of the audience were guffawing and clapping stupidly loudly without realising that the jokes aimed at privileged white folk were aimed at people just like them 👀
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Post by danb on Feb 4, 2024 8:35:59 GMT
Not a new release by any means, but we made the mistake of watching Meg 2:The Trench last week. The first film was at least flashy dumb fun with decent effects, but this was just a steaming pile. More ridiculous perspective shots of ‘the biggest shark ever’ swimming beneath the unsuspecting, ten feet off the shoreline! Throw in some mean looking mini-dinos who also escaped through the trench, to reap havoc and you’ve got a recipe for, well, very little. Ben Wheatley has made some proper nasty little thrillers before this and obviously got tempted by Chinese money to sell his soul. It isn’t so bad it’s good, it is just really poor, cash grab film making. I’ve seen better on the sci-fi channel.
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Post by jek on Feb 6, 2024 15:53:27 GMT
I went to see the documentary On The Adamant yesterday at a Barbican Senior Community Screening (every other Monday at the Barbican for the over 60s plus friends and family). It won the Golden Bear at Berlin last year and is directed by Nicolas Philibert who directed Etre et Avoir. The Adamant is a boat without an engine moored in the centre of Paris which acts as a daycare centre for people with mental health problems. Much of the work done falls into the category of art therapy and outsider art. I found it quite a gruelling watch - there is no let up from being faced with the reality of the intrusive thoughts and the like that the patients cannot get away from, nor the challenges faced by the staff. But I came away from it pleased that such a facility existed and wishing that there were many more such places to act as at least a partial refuge from an unforgiving world.
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Post by Marwood on Feb 10, 2024 21:10:09 GMT
I finally got round to seeing Casablanca tonight and I was pretty damn impressed: the cast was great across the board and it had a script packed full of quotable lines: the credits at the beginning says it was based on a play, I’m surprised no one has tried to put on a production of it in recent years (although this was quite ambitious with the amount of scene changes so who knows what was added for the films screenplay)
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Post by jek on Feb 11, 2024 14:36:43 GMT
Saw The Zone of Interest this morning. It's one of those films where you marvel at what it has pulled off but couldn't possibly say that you 'enjoyed' it. It is magnificently well made but so claustrophobic that it had me checking out where the exits were in the cinema I was in, just incase I needed to run. The sound design is key and seriously impressive. As my 22 year old daughter said what is terrifying is how quickly you as a viewer are able to block out the sounds of the death camp. Well deserving of its multiple Oscar nominations.
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Post by alessia on Feb 12, 2024 10:24:49 GMT
Saw The Zone of Interest this morning. It's one of those films where you marvel at what it has pulled off but couldn't possibly say that you 'enjoyed' it. It is magnificently well made but so claustrophobic that it had me checking out where the exits were in the cinema I was in, just incase I needed to run. The sound design is key and seriously impressive. As my 22 year old daughter said what is terrifying is how quickly you as a viewer are able to block out the sounds of the death camp. Well deserving of its multiple Oscar nominations. I came here to write a comment about this too. I thought it was incredible. Terrifying how people could manage to live a normal life next to a camp as if it's no more than a noisy factory. I agree the sound and the music are just as important if not more important than the acting- and this family just got used to the constant noise and I am sitting there in utter disbelief and feeling a bit sick. I cannot stop thinking about it.
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Post by jek on Feb 15, 2024 22:24:40 GMT
Very little happens in Perfect Days - the Wim Wenders film about a toilet cleaner in Tokyo. And it really doesn't need to. If anyone reading this has watched the series Tokyo Midnight Diner on Netflix you'll get a hint of the style (and one of the actors in that appears fleetingly in the film). And it certainly has much to appeal to afficianados of cassette tapes! The preview audience at Stratford Picturehouse tonight was large - many of them Kings College London students, quite a few from Japan. The hall of residence is just across the road from the cinema and for things like this and Ghibli movies there is often a very attentive Japanese speaking audience.
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Post by Marwood on Feb 17, 2024 20:28:45 GMT
Saw a double bill of Withnail & I and The Holdovers at the Prince Charles this afternoon with an intro from David Hemingson, The Holdovers writer (he chose Withnail as its one of his favourites): I won’t say anything about Withnail as my forum avatar and user name should be a clue as to it being one of my favourite films, if not THE favourite but I really enjoyed The Holdovers, it seemed very slow to find its way but a few of the supporting cast were ejected and it then really got going : I’d say Paul Giamatti and Da’Vine Joy Randolph have given two perfectly calibrated performances that thoroughly deserve Oscars (neither of them seem to be going out of their way to give ‘look at me!’ performances like some of the other nominees did)
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Post by Jon on Feb 19, 2024 0:50:45 GMT
Saw Bob Marley One Love and I liked it although it's a fairly safe biopic but enjoyable enough.
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Post by jek on Feb 20, 2024 22:06:38 GMT
I saw Wicked Little Letters tonight and was glad not to have paid for it - it was a free preview. Some of our best actors faced with a not very funny script. A shame as the story is an interesting one.
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Post by amyja89 on Feb 21, 2024 9:11:39 GMT
I saw Wicked Little Letters tonight and was glad not to have paid for it - it was a free preview. Some of our best actors faced with a not very funny script. A shame as the story is an interesting one. Oh no! I thought the trailer looked really good! Will still see it some time next week.
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Post by jek on Feb 21, 2024 9:50:01 GMT
amyja89 To be fair there were other people in the audience clearly really enjoying it, but it was a definite 2/3 star at best from my 22 year old daughter and I. I only read the one star Guardian review (from when it was on at the Toronto film festival last year) after I came back from the film and found it had some very real truths in it. I'm sure you'll find something to enjoy in it - spotting all the well known British actors in small parts is fun - but my expectations based on the trailer were for so much more, especially given the calibre of the cast.
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Post by Jon on Feb 21, 2024 18:52:04 GMT
amyja89 To be fair there were other people in the audience clearly really enjoying it, but it was a definite 2/3 star at best from my 22 year old daughter and I. I only read the one star Guardian review (from when it was on at the Toronto film festival last year) after I came back from the film and found it had some very real truths in it. I'm sure you'll find something to enjoy in it - spotting all the well known British actors in small parts is fun - but my expectations based on the trailer were for so much more, especially given the calibre of the cast. I'm still planning on seeing it because I like the cast and swearing is always funny.
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Post by jek on Feb 21, 2024 22:13:24 GMT
Jon There is certainly plenty of swearing but it doesn't quite reach Malcolm Tucker's creative, operatic heights. In our family (working class Irish/EastEnders) swearing is basically punctuation. Hope you enjoy the film.
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Post by Jon on Feb 21, 2024 22:31:49 GMT
Jon There is certainly plenty of swearing but it doesn't quite reach Malcolm Tucker's creative, operatic heights. In our family (working class Irish/EastEnders) swearing is basically punctuation. Hope you enjoy the film. Nothing can beat The Thick of It for creative swearing!
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Post by ladidah on Feb 26, 2024 8:16:52 GMT
Wicked Little Letters, great performances but was missing something ***
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