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Post by sophia on Feb 29, 2024 10:13:25 GMT
I really want to see this but the prices are beyond obscene. Apart from the lottery, any tips? If £50 is in your price range, I sat in upper circle F3 and thought the view was perfect. That seat is currently £75 on most dates but £50 on certain other dates e.g. next Monday & Tuesday. |
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Post by alessia on Feb 29, 2024 21:45:48 GMT
What a show! It’s nothing like I was expecting, just incredible performance from Sarah Snook. If she doesn’t win something I’d be very surprised. The technical element is something to behold too. I sat on front row and I don’t think I missed much as it’s mostly meant to be seen on screens - I was close but to me you can never be too close ah. Really different and special.
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Post by jaggy on Mar 4, 2024 18:08:34 GMT
Can anyone tell me if this has dynamic pricing? Do tickets online get cheaper nearer to the start of a performance?
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Post by bigredapple on Mar 4, 2024 19:37:43 GMT
Can anyone tell me if this has dynamic pricing? Do tickets online get cheaper nearer to the start of a performance? Can’t speak for now, but they definitely did at the start of the run. I paid 48 on the day for a seat that was 100-150 further into the run |
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Post by aspieandy on Mar 7, 2024 22:37:10 GMT
Outstanding concept, beautifully realised. Best mixed media show I've seen. True to the essence.
Shame they couldn't take ideas around social media/narcissism further but obv. no space.
Snook did an outstanding job - deserves awards - though I was wandering up the Haymarket afterwards thinking of someone else, as well. Heath Ledger. Life eh.
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Post by latefortheoverture on Mar 9, 2024 10:17:53 GMT
Selling 2 tickets for next week Saturday matinee (16/03/2023)
£40 for the pair - won them in the TodayTix lottery.
On the notice board, PM for anymore info!
Gutted I can’t make it.
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Post by takeabow on Mar 9, 2024 10:21:00 GMT
Selling 2 tickets for next week Saturday matinee (16/03/2023) £40 for the pair - won them in the TodayTix lottery. On the notice board, PM for anymore info! Gutted I can’t make it. Yes please - I’ll private message you if possible. Where are the seats? |
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Post by cartoonman on Mar 12, 2024 14:21:58 GMT
Interesting article in the FT's Weekend Magazine by Robert Shrimsley. He bought £100 seats on the side of the upper circle and had the experience of looking through a clear Perspex screen. The piece offers his clear cut rules for theatre going in London.
One, try to stick to the National Theatre. It is reliable and comfortable.
Two, see anything by Tom Stoppard or Shakespeare.
Three, research the venue.
In the West End go for cheap or expensive seats. Avoid the rear stalls.
Think twice before spending £500 on two tickets because of a big name.
If you like a view of a screen stick to the cinema.
Sounds like good advice to me.
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Post by Rory on Mar 12, 2024 14:25:04 GMT
I wanted to read that article but the paywall put paid to that!
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Post by mattnyc on Mar 12, 2024 14:26:56 GMT
What screen did he have to look through?
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Post by aspieandy on Mar 12, 2024 16:00:15 GMT
Producers for this are Michael Cassel Group (Sydney, Australia) and, no question, they are rinsing the West End for all it's worth.
I tried for an Access ticket, even had a long-ish conversation with the box office manager, and absolutely no chance: Wilful ignorance of the law.
A friend had a £60 place in the Gods and would have had a view of events if the screens weren't as high - more than half the evening was blocked by the that huge auditorium chandelier - if at the rear, sit either side not across the middle.
Can't think the Michael Cassel Group will be back too soon, so why not fill your boots and, if you overcook it, paper the holes via the TodayTix lottery.
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Post by Deal J on Mar 12, 2024 16:03:21 GMT
What screen did he have to look through? The Haymarket has perspex screens dotted about the front of the Upper Circle for safety reasons. You can see one of them on the left of this image (from a reviewer on SeatPlan.com):  |
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Post by aspieandy on Mar 12, 2024 16:07:22 GMT
I mean, you hardly notice it ...
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Post by andbingowashisname on Mar 12, 2024 17:33:13 GMT
Interesting article in the FT's Weekend Magazine by Robert Shrimsley. He bought £100 seats on the side of the upper circle and had the experience of looking through a clear Perspex screen. The piece offers his clear cut rules for theatre going in London. One, try to stick to the National Theatre. It is reliable and comfortable. Two, see anything by Tom Stoppard or Shakespeare. Three, research the venue. In the West End go for cheap or expensive seats. Avoid the rear stalls. Think twice before spending £500 on two tickets because of a big name. If you like a view of a screen stick to the cinema. Sounds like good advice to me. I have not read the article but this feels to me like the rule book of someone who doesn't actually really like going to the theatre... |
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Post by couldileaveyou on Mar 12, 2024 21:49:49 GMT
When did the National Theatre become reliable and comfortable
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Post by lynette on Mar 13, 2024 20:39:57 GMT
What screen did he have to look through? The Haymarket has perspex screens dotted about the front of the Upper Circle for safety reasons. You can see one of them on the left of this image (from a reviewer on SeatPlan.com): So this is the screen they mean. I was puzzled, thought it was something to do with the show 😂 I suppose we are all chucking peanuts and ourselves over the balcony now are we, hence our protection required. I can’t see that far to the stage these days. So have to miss this one |
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Post by theatrefan2018 on Mar 15, 2024 2:24:17 GMT
Does anyone know how much you miss from the front row stalls? The website says "Limited view - you are close to the stage which may partially obstruct your view". I understand the person's height also plays a part.
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Post by Deleted on Mar 15, 2024 10:22:31 GMT
I know someone (6ft) who sat in the front row stalls and regretted it. At the same show I sat a few rows back in the circle and felt it was too far but he felt it was too close because of where Sarah stands a lot of the time (far back and/or obscured by screens/cameras). We both usually enjoy the front row stalls because we get to see facial expressions etc but not so much for this show apparently.
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Post by Being Alive on Mar 15, 2024 10:24:49 GMT
This is simply one of the greatest performances I've ever seen anyone give.
Sarah Snook is an absolute wizard. Effortlessly portraying each character so distinctly that you understand everything that's happening perfectly.
Spectacularly in sync with everything around her, never once worrying she's going to trip or crash into anything as she's so in control.
The level of artistry on show is absolutely astonishing. How the director is not up for an Olivier is beyond me - it's staggering.
It's pacy, it builds and builds and builds to a phenomenal finale and the audience leaps to their feet.
Easiest 5 stars of the year.
If she doesn't win the Olivier, awards are pointless.
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Post by Rory on Mar 16, 2024 7:31:06 GMT
Nice interview with Sarah Snook on BBC Breakfast today at 7.25am.
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Post by mrnutz on Mar 20, 2024 9:45:50 GMT
I just got a reduced ticket for today's matinee near the end of Row D in the Dress Circle for £50. Hope I can see some of it!
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Post by Being Alive on Mar 20, 2024 10:01:46 GMT
I just got a reduced ticket for today's matinee near the end of Row D in the Dress Circle for £50. Hope I can see some of it! I sat in D1 last Saturday matinee and it's a great view - you'll have a great time. |
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Post by mrnutz on Mar 20, 2024 10:26:20 GMT
I just got a reduced ticket for today's matinee near the end of Row D in the Dress Circle for £50. Hope I can see some of it! I sat in D1 last Saturday matinee and it's a great view - you'll have a great time. Excellent news - I'm in D2. Thank you! |
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Post by solotheatregoer on Mar 20, 2024 17:11:58 GMT
One of the easiest 5 stars I have given. One of the best performances I have seen on stage. I’ve only ever seen Snook in Succession but she really impressed me today. The last 10 minutes gave me goosebumps. Outstanding production and performance.
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Post by Mark on Mar 20, 2024 19:41:04 GMT
Was there today matinee the opposite end of row D dress (seat 27) very little restriction for this one. Thought it was great, a tour de force performance and wonderful staging with some very clever camera work. Must-see
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