587 posts
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Post by Polly1 on Mar 22, 2017 14:16:43 GMT
Anyone know what time the notification 're lottery tickets comes through (approx)? Currently at Virginia Woolf and wondering if it will coincide with interval!
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Post by Deleted on Mar 22, 2017 22:47:44 GMT
Just curious - is Tennant keeping his natural accent for this?
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330 posts
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Post by charliec on Mar 22, 2017 23:57:30 GMT
Just curious - is Tennant keeping his natural accent for this? No, he's doing an English accent. Posher than he was in Doctor Who but not over the top
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Post by Deleted on Mar 23, 2017 23:25:38 GMT
Blimey
£115 for this pile of sh*t play
Most of the stalls once it opens beyond press night
Take the piss
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455 posts
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Post by mistressjojo on Mar 24, 2017 1:54:25 GMT
They have opened up bookings for the boxes for this now, if anyone is looking for a cheaper- than- premium ticket.
BTW £115 is only for the Premium seats (which is mostly all that's left now in the stalls for most performances). As they use dynamic pricing, most of us didn't pay anywhere near that amount! I know I didn't.
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Post by Deleted on Mar 24, 2017 16:41:20 GMT
Well. This was so torturous, I half expected Shami Chakrabarti to come wading in to defend our human rights.
Alas not. Now I happily admit that David Tennant is probably my favourite Doctor Who but really, this tried my patience. It kind of reminded me a bit of 'Doctor Faustus'. Just without Kit-off Harrington. Sadly.
The best thing about this play? The end reminds you just how fabulous Kiki Dee's 'I've Got The Music In Me' was.
However if you like David Tennant dropping the C-bomb. You'll love it.
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Post by Deleted on Mar 24, 2017 17:50:29 GMT
I am supposed to attend this tonight
But feel weak
Can anyone who has seen it
Advise if the staging and setting
Are worth seeing
And will I regret it if I miss it
I saw the original and wasn't that impressed
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404 posts
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Post by dlevi on Mar 24, 2017 17:58:47 GMT
It's not a great play by any standard and as much as I love David Tennant, it's not worth the outrageous prices they're charging. I'll pass.
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Post by Deleted on Mar 24, 2017 18:01:30 GMT
I am supposed to attend this tonight But feel weak Can anyone who has seen it Advise if the staging and setting Are worth seeing And will I regret it if I miss it I saw the original and wasn't that impressed If you like IKEA, you'll love it. On the plus side for you @parsley, the interval kicks in about an hour in so with your track record you could be in and out by 8.30pm.
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Post by Deleted on Mar 24, 2017 18:38:59 GMT
I am supposed to attend this tonight But feel weak Can anyone who has seen it Advise if the staging and setting Are worth seeing And will I regret it if I miss it I saw the original and wasn't that impressed If you like IKEA, you'll love it. On the plus side for you @parsley, the interval kicks in about an hour in so with your track record you could be in and out by 8.30pm. I think it's a night in with Aveda tea 🤗
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5,588 posts
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Post by lynette on Mar 24, 2017 21:41:10 GMT
Parsley apart, come on, is this rubbish or not? I've got tix. Dump or keep?
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115 posts
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Post by Peach on Mar 24, 2017 21:57:40 GMT
Parsley apart, come on, is this rubbish or not? I've got tix. Dump or keep? Dump. Unless you're a Tennant fan in which case dump and buy the Casanova dvd instead. I read an interview today where he says he was surprised to be offered it as he didn't think it was for him at first. Trust those instincts, David, always trust those instincts. On the plus side, Adrian Scarborough and the girl who played the blonde prostitute (sorry - don't have name to hand) were very watchable.
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4,454 posts
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Post by Being Alive on Mar 25, 2017 14:10:11 GMT
think I'll dump too. Mine were £10, and I just can't justify London next weekend money wise(i'm down for Audra in concert and Carousel a fortnight later...)
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1,868 posts
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Post by Marwood on Mar 25, 2017 15:33:38 GMT
I was pondering whether to buy a 'Monkey Nest' ticket for this when it first went on sale and procastinated for so long they'd all gone when I went back (I also left it too late for the Rhys Ifans/Donmar version), and have no intention of paying the sort of prices they're looking for for for stalls tickets, looks like I made the right decision going by the comments above.
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1,936 posts
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Post by wickedgrin on Mar 25, 2017 17:19:00 GMT
That's what I love about this board...just honest opinion. Glad I decided to give this a miss given the comments above. Expect 4 and 5 star raves from the press next week after press night on Tuesday!
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Post by Deleted on Mar 25, 2017 18:10:27 GMT
That's what I love about this board...just honest opinion. Glad I decided to give this a miss given the comments above. Expect 4 and 5 star raves from the press next week after press night on Tuesday! Thing is, I went along to Ugly Lies the Bone expecting it to be amazing because the majority of what I'd read here about it was positive. I thought it was poor. Always best to go along and make up your own mind, I reckon. Given that this is still in preview and thus not locked down, there's always a chance we may be judging it a little harshly and it will turn out to fairly earn any raves...
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1,197 posts
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Post by theatrefan77 on Mar 26, 2017 14:17:29 GMT
I watched this mess on Thursday. It really is a very weak play imho. I generally like Patrick Marber, loved Closer and really enjoyed his recent version of Hedda Gabler, but this Don Juan is really not very good at all. It will be successful because of David Tennant and he does what he can with the material he's given. Adrian Scarborough is good but wasted on this. The dance numbers were awful and pointless, the acting from the supporting cast was all over the place. The set was amateurish at best. For me this is the worst play I've seen this year...
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515 posts
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Post by callum on Mar 26, 2017 15:41:23 GMT
I saw this from a Monkey nest last night and was a VERY mixed bag. For the crossover of people that like hedonist humour and are David Tennant superfans this will be a huge hit, but for everyone else not so much.
Basically it lurches from crude blowjob jokes, c-bombs and drug-taking to pretentious dance sequences and long monologues without much cohesion - the direction and the script seem to be at war with one another. David Tennant and Adrian Scarborough do their best to hold it together but it really doesn't go anywhere. There are some nudge wink-wink lines to the audience like 'are you a Doctor?' and Trump references that are extremely on the nose and very problematic to the rhythm of the play.
Still, there are some homorous throwaway lines and Tennant and Scarborough make seeing it worthwhile - the £10 nest was good value but if I was sitting in the best seats in the house I wouldn't want to pay more than £30; put it that way.
Will be looking forward to hearing about how Tennant's big speech towards the end changes during the run - there was a line about Prince George going to school that I imagine is '...insert current news event here...'. Reminds me a bit of The Audience in that respect.
In summary, if you have nest seats, keep them. It's not a total bomb but nevertheless still fairly disposable.
And I didn't even ATTEMPT stage door.
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Post by Deleted on Mar 26, 2017 16:45:42 GMT
Parsley apart, come on, is this rubbish or not? I've got tix. Dump or keep? I'd dump. It's not really a bad show, it's worse than that. It's just dull.
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Post by Deleted on Mar 26, 2017 16:53:31 GMT
Parsley apart, come on, is this rubbish or not? I've got tix. Dump or keep? I'd dump. It's not really a bad show, it's worse than that. It's just dull. I'm a somewhat devoted Tennant fan, but even I can't bring myself to pay these prices for this. I'll also settle for a re-watch of Cassanova (incidentally well worth a watch!)
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5,588 posts
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Post by lynette on Mar 26, 2017 18:52:40 GMT
Ok, thanks for the honest opinion. Ill mull
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Xanderl
Member
Not always very high value in terms of ticket yield or donations
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Post by Xanderl on Mar 27, 2017 6:13:59 GMT
This really isn't much cop. Central character should be a lot less sympathetic, Tennant is far too loveable. Presume the original production was 90 minutes straight through - this is stretched out to just over 2 hours with some dance routines and what seemed like a longer than usual interval.
Did my good deed for the day - as I was leaving the theatre a couple of (I think) tourists approached me asking "Was it any good?". Told them "not really!" and they said "Great, thanks - that's that decision made then!" and walked off. So presumably saved them £100 or so!
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115 posts
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Post by Peach on Mar 27, 2017 10:25:02 GMT
Central character should be a lot less sympathetic, Tennant is far too loveable. Yes! This was exactly my problem with it.
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115 posts
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Post by Peach on Mar 27, 2017 10:32:23 GMT
Tennant is entirely capable of playing it unsympatheticly imo, just doesn't.
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1,199 posts
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Post by Steve on Mar 27, 2017 13:00:33 GMT
Saw this Saturday matinee. Incoherent but entertaining. Some spoilers follow. . . This production can't make it's mind up about how much integrity this Don Juan has. I remember Simon Keenlyside playing Don Juan's opera counterpart, Don Giovanni, and he was furious in his integrity, for a debauched but free life, a nietzschean superman. Marber, who is in total control of this production, having written, partially re-written, and directed it, opts for the "integrity" ending. But it isn't earned, as Tennant's Don Juan has no integrity whatsoever, a man who nonchalantly lies even to those he says he doesn't lie to. Marber certainly thinks that Tennant's Don Juan has integrity, and goes to some lengths to distance him from Donald Trump's "p---ygrabbing" antics, but the problem for Marber is that essentially his Don Juan is exactly the same as Donald Trump: a man with no integrity who thinks he does have integrity, ie a dreamer. In one scene, Marber tacitly admits that his Don Juan is a narcissistic dreamer fooling himself, and it is beautiful: as Don Juan sings the Ella Fitzgerald - Louis Armstrong romance duet "Under a Blanket of Blue" with Adrian Scarborough's equally delusional Stan, Don Juan's personal assistant. If Marber had focused on the theme of delusion he would have struck gold, and he could even have gone on to end this play by having Don Juan elected Prime Minister, just as Trump became President. Instead, Marber meanders from scene to scene, without clarifying who Don Juan really is, or what his play is really about. I found the production entertaining anyway. The aforesaid duet was lovely, and Tennant and Scarborough are in Blackadder-Baldric ribald humour mode for much of the play. Marber gets the tone right, in that he pushes the broad comedy as far as he can, without sacrificing the serious undertone he is going for. Central casting is just right, with Tennant and Scarborough both experienced enough to know how to play broad scenes, then retreat into callousness, and then wistfulness For people who like to laugh at rude comedy, there is plenty to laugh at. For anyone wanting a meaningful play, forget it! 3 and a half stars
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852 posts
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Post by bordeaux on Mar 27, 2017 14:15:31 GMT
You wait years for a Molière revival and then two crap ones come at once... Let's hope the forthcoming Bristol Tobacco Factory Tartuffe shows us the way to do it.
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2,389 posts
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Post by peggs on Mar 27, 2017 20:45:29 GMT
I took that to mean that there was some exciting flat pack furniture assembly but now I fear that was not what you alluded to.
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2,389 posts
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Post by peggs on Mar 27, 2017 20:47:30 GMT
If you like IKEA, you'll love it. Darn it, it helps if I post the comment I was referring to.
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343 posts
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Post by Jonnyboy on Mar 28, 2017 19:29:45 GMT
Interval of Press Night. Seen Richard Wilson, Rupert Graves, Jonathan Ross and Phoebe Waller Bridge.
Entertaining enough but all rather pointless. No depth at all but I can't say I'm bored.
Tenner nest seat. I'd be horrified if I'd paid £100+ for this.
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343 posts
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Post by Jonnyboy on Mar 28, 2017 21:17:06 GMT
Okay, so I got bored in Act 2, apart from an entertaining speech by DT.
Really can't see why this is being revived or why DT chose it.
2.5 out of 5, including half for seeing the wonderful star of Fleabag in the audience.
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